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God's Plagiarist is an entertaining account of the abbe Jacques-Paul Migne, one of the great entrepreneurs of the nineteenth century. A priest in Orleans from 1824 to 1833, Migne then moved to Paris, where, in the space of a decade, he built one of the most extensive publishing ventures of all time. How did he do it? Migne harnessed a deep well of personal energy and a will of iron to the latest innovations in print technology, advertising, and merchandising. His assembly-line production and innovative marketing of the massive editions of the Church Fathers placed him at the forefront of France's new commerce. Characterized by the police as one of the great "schemers" of the century, this pr...
In The Wandering Throne of Solomon: Objects and Tales of Kingship in the Medieval Mediterranean Allegra Iafrate analyzes the circulation of artifacts and literary traditions related to king Solomon, particularly among Christians, Jews and Muslims, from the 10th to the 13th century. The author shows how written sources and objects of striking visual impact interact and describes the efforts to match the literary echoes of past wonders with new mirabilia. Using the throne of Solomon as a case-study, she evokes a context where Jewish rabbis, Byzantine rulers, Muslim ambassadors, Christian sovereigns and bishops all seem to share a common imagery in art, technology and kingship.
The Monstrous New Art reveals the depth of medieval composers' engagement with monstrous and hybrid creatures and ideas.
"Peter of Limoges's Moral Treatise on the Eye is arguably the single most important medieval text situated at the junction of two dynamic areas of intellectual history: the history of optical science and the history of pastoral care."--Page [4].
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Markets feature prominently in recent research of premodern historians as well as economists. Discussions cover the questions, for example, how a market can be grasp as a place, an event or a mechanism of exchange, or whether premodern economies have just hosted markets or if some of them can even be regarded as market economies. The proposed volume will now turn to the agents who forged and connected markets. Exchange was done between persons and with the help of persons: Artisans, retailers and poor people tried to better their living conditions by engaging on the market, merchants interconnected different markets, urban personnel (such as brokers, men working at the public scales, or the town council as a whole) regulated and facilitated exchange. By focusing on economic practices and the agents who performed them, the volume aims at analyzing the specific characteristics of premodern markets, the reasons why people became active on the market and the institutions which formed exchange processes and were in turn shaped by them.
The Oxford Handbook of Early Modern Theology, 1600-1800 will offer a comprehensive and reliable introduction to Christian theological literature originating in Western Europe from, roughly, the end of the French Wars of Religion (1598) to the Congress of Vienna (1815). Using a variety of approaches, the contributors examine theology spanning from Bossuet to Jonathan Edwards. They review the major forms of early modern theology, such as Cartesian scholasticism, Enlightenment, and early Romanticism; sketch the teachings of major theological concepts, along with important historical developments; introduce the principal practitioners of each kind of theology and delineate their particular theological contributions and stresses; and depict the engagement by early modern theologians with other religions or churches, such Judaism, Islam, and the eastern Church. Combining contributions from top scholars in the field, this will be an invaluable resource for understanding a complex and varied body of research.
Isidore of Seville and the “Liber Iudiciorum” establishes a novel framework for re-interpreting the Liber Iudiciorum (LI), the law-code issued in Toledo by the Visigothic king Recceswinth (649/653-672) in 654. The LI was a manifestation of a vibrant dialectical situation, particularly between two networks of authority, Isidore-Seville and Toledo-Agali, a defining characteristic of the discourse coloring the fabric of writing in Hispania, c. 600-660. To more fully imagine the meaning, significance and purposes of the LI, this book elicits this cooperative competition through a series of four case-studies on writing in the period. In addition to offering an alternative historiography for the LI, this book expands the corpus of “Visigothic Literature” and introduces what the author refers to as “Gothstalgie.” See inside the book.
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