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The first volume of proceedings from the International Liszt Conference.
It is A.D. 70, and Evardus, a wine merchant from Gaul, has encountered a dying rabbi on a road outside of Jerusalem. With his final breaths, the old man urgently tells Evardus that Jewish priests have spirited sacred objects and records away from Herod's Temple in the hope of keeping them out of the hands of Roman soldiers--who are, at that very moment, attacking Jerusalem and destroying the Jews' most holy site. The merchant learns of a copper scroll hidden beneath the Holy of Holies and a map that leads to the holy objects. A thousand years later, while on a Crusade to Palestine, a descendant of the merchant finally uncovers those secrets below the temple. They include an astonishing parch...
Franck's twelve major organ works enjoy a popularity which surpasses even that of his Symphony in D Minor. This volume provides a guide to the interpretation of Franck's organ works by examining the extant first-hand references to him as a student, performer, and teacher written by those who knew him, heard him, and studied with him.
Chrodegang of Metz (c. 712-766) was a leading figure of the late Merovingian and early Carolingian Church. Born to one of the principal aristocratic families in Austrasia, he served as referendary of Charles Martel, and was appointed bishop of Metz in the 740s. As bishop, Chrodegang became one of the foremost churchmen in Francia, chairing councils, founding monasteries, and beginning a reform of the lives of the canons of the Metz cathedral. This book is a major study in the English language on Chrodegang, examining his preoccupation with the creation of communities of faith and concord modelled on the early Church. It explores his attempts to unite the Frankish episcopacy, his rule for the cathedral clergy in Metz - the Regula canonicorum - and his introduction of new liturgical practices that sought to transform his see into a hagiopolis, a holy city which provided a model for later Carolingian reform.
A generously illustrated examination of pentatonic ("black-key scale") techniques in the context of eighteenth- and nineteenth-century Western art-music. Pentatonicism from the Eighteenth Century to Debussy offers the first comprehensive account of a widely recognized aspect of music history: the increasing use of pentatonic ("black-key scale") techniques in nineteenth-century Western art-music. Pentatonicism in nineteenth-century music encompasses hundreds of instances, many of which predate by decades the more famous examples of Debussy and Dvorák. This book weaves together historical commentary with music theory and analysis in order to explain the sources and significance of an importan...
Volumes 1 & 2 Guide to the MEDIUM COMPANIES OF EUROPE 1991/92, Volume 1, arrangement of the book contains useful information on nearly 4500 of the most important medium-sized companies in the European This book has been arranged in order to allow the reader to Community, excluding the UK, over 1500 companies of which find any entry rapidly and accurately. are covered in Volume 2. Volume 3 covers nearly 2000 of the medium-sized companies within Western Europe but outside Company entries are listed alphabetically within each country the European Community. Altogether the three volumes of section; in addition three indexes are provided in Volumes 1 MEDIUM COMPANIES OF EUROPE now provide in and ...
Focusing on Messiaen’s relation to history - both his own and the history he engendered - the Messiaen Perspectives volumes convey the growing understanding of his deep and varied interconnections with his cultural milieux. Messiaen Perspectives 1: Sources and Influences examines the genesis, sources and cultural pressures that shaped Messiaen’s music. Messiaen Perspectives 2: Techniques, Influence and Reception analyses Messiaen’s compositional approach and the repercussions of his music. While each book offers a coherent collection in itself, together these complementary volumes elucidate how powerfully Messiaen was embedded in his time and place, and how his music resonates ever mor...
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Al final del siglo XV, y hasta la mitad del siglo XVI, la música todavía no se había independizado de la letra con la que formaba un concierto armonioso. Da la pauta el canto religioso y lo profano respeta tan inspirados ejemplos ofreciendo música cantada y canto musicado. La sociedad de corte es la que ofrece la ilustración más brillante de la textura musical del verso, tanto como de la riqueza expresiva de la música. Parece natural que musicólogos y filólogos se concierten para estudiar estos elementos de la poesía cantada de los siglos XV y XVI. ¡Pero los primeros sólo estudian la letra, los segundos únicamente el canto! De ahí surgió la idea de delimitar cuál fue el entor...