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Dear Little Ones (Book 3)
  • Language: en
  • Pages: 62

Dear Little Ones (Book 3)

  • Type: Book
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  • Published: 2021-06-07
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  • Publisher: Unknown

The Dear Little Ones series is dedicated to empowering the inner child to promote internal unity and improve readers' mental health. The second book in this series is all about family relationships. Told in the same empowering tone as the original book, Dear Little Ones Book 2 helps inner children navigate dysfunctional family dynamics. This book will be especially helpful to readers who have painful or complex relationships with their parents or caregivers. In this reassuring illustrated book, inner children will learn: - that caregivers' problems were not their fault - how to develop healthy self-esteem without parental approval - how to set boundaries around unhealthy family members - the need for making difficult choices in family relationships to prioritize mental health Dear Little Ones Book 2 takes on a difficult topic and talks about it in language that inner children can understand so they can begin to heal from attachment wounds.

Nollywood Central
  • Language: en
  • Pages: 275

Nollywood Central

Nollywood is often portrayed by the popular press as an unruly industry, with mysteriously fast and cheap production and shadowy distribution networks. In the first overview of Nigeria's burgeoning video film industry, Jade L. Miller reveals that this portrayal is over-simplistic and often untrue. Investigating Nollywood's complete global production and distribution chain, Nollywood Central presents a full portrait of the Nollywood industry as both highly organised and strategically structured. In doing so, it interrogates the position and rise of new cultural industry hubs, demonstrating how a creative industry can emerge, be sustainable and circulate globally even though it exists outside of formal global networks and government-supported infrastructure. Deepening understanding of this prolific industry while at the same time contributing to debates surrounding global flows of culture, this is a critical resource for students and scholars of Media and Communication Studies, Film Studies, Television Studies and African Studies.

Undercover
  • Language: en
  • Pages: 477

Undercover

" One Man. One Syndicate. The Syndicate never stood a chance. Mike Miller had little to live for. A veteran cop, he has taken a job that could very well be his last. His mission, to infiltrate and gather information on the preeminent crime syndicate that had plagued their city for decades. It is a deep cover mission, meaning that Miller will be undercover 24 hours a day until he comes in from the cold. There are no vacations. There is no rest. Everyone is the enemy. One break in his cover could be fatal. It is a high pressure job, but one with stakes that are high enough for the risk. The fate of Organized crime in this city rests on the shoulders of one man. "

Authentic
  • Language: en
  • Pages: 280

Authentic

  • Type: Book
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  • Published: 2012-10-15
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  • Publisher: NYU Press

Brands are everywhere. Branding is central to political campaigns and political protest movements; the alchemy of social media and self-branding creates overnight celebrities; the self-proclaimed “greening” of institutions and merchant goods is nearly universal. But while the practice of branding is typically understood as a tool of marketing, a method of attaching social meaning to a commodity as a way to make it more personally resonant with consumers, Sarah Banet-Weiser argues that in the contemporary era, brands are about culture as much as they are about economics. That, in fact, we live in a brand culture. Authentic™ maintains that branding has extended beyond a business model to...

Pop Girl
  • Language: en
  • Pages: 225

Pop Girl

Fourteen-year-old Storm Hall lives to sing. Forget parties. Forget boys. When Storm is told she's going to miss a national competition, to go on a once-in-a-lifetime holiday to Hawaii, her life is OVER. What could be worse than having to give up singing to visit an island paradise? What if her (former) best friend is taking her place? A family trip to Hawaii is just the beginning. Storm meets a Hawaiian band who need a singer last minute. When the song is on local radio the next day all of Storm's dreams are coming true . . . until the band introduce their singer on air. It's NOT her.

Precarious Creativity
  • Language: en
  • Pages: 338

Precarious Creativity

At free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program. Visit www.luminosoa.org to learn more. Precarious Creativity examines the seismic changes confronting media workers in an age of globalization and corporate conglomeration. This pathbreaking anthology peeks behind the hype and supposed glamor of screen media industries to reveal the intensifying pressures and challenges confronting actors, editors, electricians, and others. The authors take on pressing conceptual and methodological issues while also providing insightful case studies of workplace dynamics regarding creativity, collaboration, exploitation, an...

Jade Eyes
  • Language: en

Jade Eyes

Special Agent Kim Kupar found her dream job in Seattle, WA. Agent "T-Rex" Moyer and Kim investigate the Snakehead human trafficking ring and Kim wonders if this dream is actually a nightmare. Written by a retired Senior Special Agent.

Final Supplement to the Environmental Impact Statement for an Amendment to the Pacific Northwest Regional Guide: Appendices
  • Language: en
  • Pages: 618
Final supplement to the environmental impact statement for an amendment to the Pacific Northwest regional guide
  • Language: en
  • Pages: 628
Producing
  • Language: en
  • Pages: 212

Producing

  • Categories: Art

Of all the job titles listed in the opening and closing screen credits, producer is certainly the most amorphous. There are businessmen (and women)-producers, writer-director- and movie-star-producers; producers who work for the studio; executive producers whose reputation and industry clout alone gets a project financed (though their day-to-day participation in the project may be negligible). The job title, regardless of the actual work involved, warrants a great deal of prestige in the film business; it is the credited producers, after all, who collect the Oscar for Best Picture. But what producers do and what they don’t or won’t do varies from project to project. Producing is the firs...