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IVenceremos?
  • Language: en
  • Pages: 256

IVenceremos?

DIVAn ethnography of sexual identity formation in contemporary Cuba./div

There's a Disco Ball Between Us
  • Language: en
  • Pages: 448

There's a Disco Ball Between Us

  • Type: Book
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  • Published: 2022-01-04
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  • Publisher: Unknown

Jafari S. Allen offers a sweeping and lively ethnographic and intellectual history of Black queer politics, culture, and history in the 1980s as they emerged out of radical Black lesbian activism and writing.

Black Queer Diaspora
  • Language: en
  • Pages: 220

Black Queer Diaspora

  • Type: Book
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  • Published: 2012
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  • Publisher: Unknown

In this special double issue of GLQ, queer theory meets critical race theory, transnationalism, and Third World feminisms in analyses of the Black queer diaspora. Contributors apply social science methodologies to theories born out of the humanities to produce innovative, humane, and expansive readings of on-the-ground social conditions around the world. The contributors to this issue draw on radical Black and women-of-color feminisms to examine the embodied experience of the Black queer diaspora. One contributor elaborates on the work of Black Atlantic scholarship to imagine a story of the Black Pacific experience and how shipboard life shapes the relationships formed during travel and migr...

Negro Building
  • Language: en
  • Pages: 462

Negro Building

  • Categories: Art

Focusing on Black Americans' participation in world’s fairs, Emancipation expositions, and early Black grassroots museums, Negro Building traces the evolution of Black public history from the Civil War through the civil rights movement of the 1960s. Mabel O. Wilson gives voice to the figures who conceived the curatorial content: Booker T. Washington, W. E. B. Du Bois, Ida B. Wells, A. Philip Randolph, Horace Cayton, and Margaret Burroughs. Originally published in 2012, the book reveals why the Black cities of Chicago and Detroit became the sites of major Black historical museums rather than the nation's capital, which would eventually become home for the Smithsonian's National Museum of African American History and Culture, which opened in 2016.

Virtual Intimacies
  • Language: en
  • Pages: 180

Virtual Intimacies

Virtual Intimacies tells the stories of gay men, including the author, who navigate social worlds in which the boundaries between real and virtual have been thoroughly confounded. Shaka McGlotten analyzes intimate connection and disconnection across an array of media sites, including mass mediated public sex scandals, online spaces, Do-It-Yourself porn, and smartphone apps in order to show the ordinary ways people challenge and rework sexuality and technology. The book frames "virtual intimacy" in terms of the mocking disapproval that looks at using technology to connect as something shameful or as a means of last resort. However, where many see a dead end, Virtual Intimacies argues on behalf of more extensive understandings of intimacy, thereby contributing to many feminist and queer approaches that seek to expand the scope of what counts as connection, belonging, or love. The author also highlights the creative and resilient ways that queer people build social worlds using spaces and technologies in ways they were not intended.

Brother to Brother
  • Language: en
  • Pages: 452

Brother to Brother

  • Type: Book
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  • Published: 2007
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  • Publisher: Unknown

A collection of now classic literary work by black gay male writers.

Black Sexualities
  • Language: en
  • Pages: 475

Black Sexualities

Why does society have difficulty discussing sexualities? Where does fear of Black sexualities emerge and how is it manifested? How can varied experiences of Black females and males who are lesbian, gay, bisexual, transgender (LGBT), or straight help inform dialogue and academic inquiry? From questioning forces that have constrained sexual choices to examining how Blacks have forged healthy sexual identities in an oppressive environment, Black Sexualities acknowledges the diversity of the Black experience and the shared legacy of racism. Contributors seek resolution to Blacks' understanding of their lives as sexual beings through stories of empowerment, healing, self-awareness, victories, and other historic and contemporary life-course panoramas and provide practical information to foster more culturally relative research, tolerance, and acceptance.

Begin with the Past
  • Language: en
  • Pages: 145

Begin with the Past

Rising on the National Mall next to the Washington Monument, the National Museum of African American History and Culture is a tiered bronze beacon inviting everyone to learn about the richness and diversity of the African American experience and how it helped shape this nation. Begin with the Past: Building the National Museum of African American History and Culture is the story of how this unparalleled museum found its place in the nation’s collective memory and on its public commons. Begin with the Past presents the long history of efforts to build a permanent place to collect, study, and present African American history and culture. In 2003 the museum was officially established at long ...

Black Queer Studies
  • Language: en
  • Pages: 394

Black Queer Studies

While over the past decade a number of scholars have done significant work on questions of black lesbian, gay, bisexual, and transgendered identities, this volume is the first to collect this groundbreaking work and make black queer studies visible as a developing field of study in the United States. Bringing together essays by established and emergent scholars, this collection assesses the strengths and weaknesses of prior work on race and sexuality and highlights the theoretical and political issues at stake in the nascent field of black queer studies. Including work by scholars based in English, film studies, black studies, sociology, history, political science, legal studies, cultural st...

Queer African Cinemas
  • Language: en
  • Pages: 171

Queer African Cinemas

In Queer African Cinemas, Lindsey B. Green-Simms examines films produced by and about queer Africans in the first two decades of the twenty-first century in an environment of increasing antiqueer violence, efforts to criminalize homosexuality, and other state-sanctioned homophobia. Green-Simms argues that these films not only record the fear, anxiety, and vulnerability many queer Africans experience; they highlight how queer African cinematic practices contribute to imagining new hopes and possibilities. Examining globally circulating international art films as well as popular melodramas made for local audiences, Green-Simms emphasizes that in these films queer resistance—contrary to traditional narratives about resistance that center overt and heroic struggle—is often practiced from a position of vulnerability. By reading queer films alongside discussions about censorship and audiences, Green-Simms renders queer African cinema as a rich visual archive that documents the difficulty of queer existence as well as the potentials for queer life-building and survival.