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“Bouquet of Rasa” & “River of Rasa”
Bhanu is probably the most famous Sanskrit poet that no one today has ever heard of. His “Bouquet of Rasa” and “River of Rasa,” both composed in the early sixteenth century, probably under the patronage of the Nizam of Ahmadnagar in western India, attracted the attention of the most celebrated commentators in early modern India. Some of the greatest painters of Mewar and Basohli vied to turn his subtle poems into pictures. And his verses were prized by poets everywhere: Abu al-Fazl, the preeminent scholar at Akbar’s court, translated them into Persian, and, Kshetráyya, the great Andhra poet of the next century, adapted them into Telugu. Many writers have described the types of heroines and heroes of Sanskrit literature (the subject of the “Bouquet of Rasa”) or explained the nature of aesthetic emotion (that of the “River of Rasa”), but none did so in verse of such exquisite and subtle artistry.
Much Ado about Religion
This play satirizes various religions in Kashmir and their place in the politics of King Shankaravarman (883–902). The leading character is a young and dynamic orthodox graduate, whose career starts as a glorious campaign against the heretic Buddhists, Jains, and other antisocial sects. By the end of the play he realizes that the interests of the monarch do not encourage such inquisitional rigor. Unique in Sanskrit literature, Jayánta Bhatta's play, Much Ado About Religion, is a curious mixture of fiction and history, of scathing satire and intriguing philosophical argumentation. The play satirizes various religions in Kashmir and their place in the politics of King Shánkara·varman (883-902 CE). The leading character, Sankárshana, is a young and dynamic orthodox graduate of Vedic studies, whose career starts as a glorious campaign against the heretic Buddhists, Jains and other antisocial sects. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org
THE INDIAN LISTENER
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them alo...
Belief, Bounty, and Beauty
This study is focused on the interaction of material and symbolic values in the domain of sacred trees in India. By presenting samples from 3,000 years of Indian ritual practice, it is shown that in many sacred geographies trees continue to connect the present with the past, the material with the symbolic, and the contemporary ecological with the traditionally sacred. Although in India religion may have become very much a temple cult, its embeddedness in the natural world enhances today's 'green' interpretation of religious traditions. That in environmental matters such religious inspiration may be both successful and highly ambivalent at the same time is the thought-provoking position taken in the final chapters.
Consecration of Images and Stūpas in Indo-Tibetan Tantric Buddhism
This study of the Indo-Tibetan ritual of rendering religious objects sacred concerns one of the fundamental Buddhist tantric processes of transformation into a chosen tantric Buddha. It provides a general discussion of the ritual as well as detailed analyses of each ritual step in the composite present-day consecration.
