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Yesterday’s Melodies Todays Memories is a rare collection of profiles of all important music-makers of the Hindi Film Industry between 1931 and 1970. It not only gives a biographical background of each music artiste, but it goes further to interview many of the surviving giants and completes the task by listing some of the best songs with which that person is associated. Here are singers that include the whole gamut from KL Saigal to Asha Bhosle, lyricists that include Sahir and Gulzar, music composers from Naushad to RD Burman, artistes that were part-time singers and full time actors like Ashok Kumar, melody queens like Noor Jahan and Lata Mangeshkar, gentlemen lyricists like Prem Dhawan...
'Mysterious Whisper' is a mindblowing fiction involving real events of life. It is a fact that future is always mysterious and the next moment of life is uncertain and hidden behind the curtain of suspense and curiosity. The mystery and suspense that revolve around each character of this book is in fact the mystery of nature that is still unresolved. That is what mysterious whisper is all about. In it, emphasis has been laid on the fact that one can establish its relation with nature if one has desire to hear mysterious whisper. Great reverence has been given to the nature, which unfolded its mystery and established communication and relationship with her. The book will not only be useful for readers who like to read fictions but the people who dwell in higher knowledge also.
Beginning in the 1930s, men and a handful of women came from India's many communities-Marathi, Parsi, Goan, North Indian, and many others--to Mumbai to work in an industry that constituted in the words of some, "the original fusion music." They worked as composers, arrangers, assistants, and studio performers in one of the most distinctive popular music and popular film cultures on the planet. Today, the songs played by Mumbai's studio musicians are known throughout India and the Indian diaspora under the popular name "Bollywood," but the musicians themselves remain, in their own words, "behind the curtain"--the anonymous and unseen performers of one of the world's most celebrated popular mu...
Shankar Jaikishan (SJ )made a tumultuous debut, with a blockbuster hit Barsat, in 1949. They were young, did not belong to the elite strata of society. Their only capital was their infinite talent and burning desire. Their journey from Barsat to Gouri in 1989 was a sustained uphill journey. They broke all records of record sales and box office collections. At one point in their career, SJ was synonymous with Silver Jubilee. Forty jubilee hits, with Barsat running for 100 plus weeks. Math They won nine Filmfare Awards and nominated almost every year, 1959 to 1974. This book covers their arduous journey of matchless success on a path of thorns. Dr. Dattatreya and Dr. Geetha Pujari, have covered this journey. They met Shankar a few times and had their script approved by the maestro, way back in 1984. They published this book in Hindi, Shankar Jaikishan ki Swar Sadhana. This was in 2002.
The first volume focusing on film music as a worldwide phenomenon
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This Indian film music book is a collection of eighty essays about the people who made remarkable music in Bollywood cinema, especially during the great era, and the ideas such people brought to the recording studios. When songs had to go without rhythms or when melodies had plenty of Q n A in them. In this music book, we flirt with Rock n Roll and scan songs that speed up at the end, we peep behind the screen to see what the idea was behind chorus songs in our films – even if there was no one to sing that chorus on the screen; it’s a huge list. These pages are a reflection of the time when everyone was fired up in their art, and when no one wanted to finish last in the race. It is about artists who every now and then dreamt ideas, and only after crystallizing things perfectly in their mind’s eye, went out to translate and transform their dreams into unforgettable melodies in Indian movies. Jukebox will interest the layman as well as the academician.
This volume traces the evolution of the Hindi film song to its present status as the cultural barometer of the country through an evaluation of the work of over 50 outstanding composers. Interviews with icons like Lata Mangehskar and Dev Anand are included.
The seven letters in Naushad’s name are like the seven notes of Hindustani classical music. After just a few years in films, Naushad (1919-2006) went to rule the Hindi cinema music world for around two decades, beginning with the landmark Rattan (1944). His oeuvre (from 1940 to 2005) consists of an unmatched list of jubilees, many of which are musical milestones such as Andaz (1949), Baiju Bawra (1952), Mother India (1957) and Mughal-e-Azam (1960). No individual stays supreme without putting in tremendous efforts to reach the pinnacle and to stay there as long as possible, as our maestro did. And no composer probably moved so cleverly, behind the scenes, than did Naushad to sustain his hol...
This book, covering a range of music essays, is a compendium of many articles that were published in several newspapers and have since been updated. The collection also features many subjects not published before. Some of our films’ great artists are profiled, especially in their relationship with songs we remember them by. Such people include the actors Dilip Kumar, Rajendra Kumar and Sadhana, the composer Madan Mohan, and the singer Mukesh. Musical instruments such as bagpipes, the tambourine, and the drums can also be found in these pages, with where such instruments were featured in the Hindi film song. Equally importantly, you will find essays on ideas that have engaged with our music. These include cycling, suicides, Mumbai’s pride Marine Drive and composers who sang their own tunes. It’s a platinum offering of 75 diverse stories.