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Cartoons and Antisemitism
Antisemitic caricatures had existed in Polish society since at least the mid-nineteenth century. But never had the devastating impacts of this imagery been fully realized or so blatantly apparent than on the eve of the Second World War. In Cartoons and Antisemitism: Visual Politics of Interwar Poland, scholar Ewa Stańczyk explores how illustrators conceived of Jewish people in satirical drawing and reflected on the burning political questions of the day. Incorporating hundreds of cartoons, satirical texts, and newspaper articles from the 1930s, Stańczyk investigates how a visual culture that was essentially hostile to Jews penetrated deep and wide into Polish print media. In her sensitive ...
Visual Antisemitism in Central Europe
In eleven contributions, Visual Antisemitism in Central Europe, Imagery of Hatred deals with visual manifestations of antisemitism in Central Europe from the Middle Ages to the present day. The publication, which presents heretofore largely unknown materials, seeks responses from diverse perspectives to the question of the role of visuality in the development of antisemitic moods and political agendas that encouraged hatred towards Jews. The scope of visual anti-Judaism and antisemitism always was and still is very wide: from stereotypical depictions that can conceal an underlying message through humorous content, to clearly formulated assaults that aim to escalate animosity towards an imaginary collective enemy. The goal in both these cases is the exclusion of Jews from the majority society imagined as a monolithic whole, and the reification of a dividing line between "us" and "them". With its wide thematic and methodological range, this book offers a comprehensive image of the phenomenon of visual anti-Judaism and antisemitism and provides rich comparative material for the entire Central European region.
Jews in Suits
Surviving photographs of Jewish Viennese men during the fin-de-siècle and interwar periods – both the renowned cultural luminaries and their many anonymous coreligionists – all share a striking sartorial detail: the tailored suit. Yet, until now, the adoption of the tailored suit and its function in the formation of modern Jewish identities remains under-researched. Jews in Suits uses a rich range of written and visual sources, including literary fiction and satire, 'ego-documents', photography, trade catalogues, invoices, and department store culture, to propose a new narrative of men, fashion, and their Jewish identities. It reveals that dressing in a modern manner was not simply a matter of assimilation, but rather a way of developing new models of Jewish subjectivity beyond the externally prescribed notion of 'the Jew'. Drawing upon fashionable dress, folk costume, religious dress, avant-garde, oppositional dress, typologies which are often considered separate from one another, it proposes a new way of reading men and clothing cultures within an iconic cultural milieu, offering insights into the relationship of clothing and grooming to the understanding of the self.
Scholars in Exile
In the interwar years, émigré scholars in Czechoslovakia provided continuity and a bridge for Ukrainian scholarship from its inception at the end of the nineteenth century to the development of Ukrainian studies in the twenty-first century. These scholars forged a legacy that spread beyond Czechoslovakia. Without their work in the postwar era, the development of Ukrainian émigré scholarship would not have flourished. Narrated from a Ukrainian perspective, Scholars in Exile concentrates on the astounding efforts by Ukrainians to establish institutions of higher learning in the unique democratic spirit of Tomáš Garrigue Masaryk. The book also explores Ukrainian scholarly and professional societies, museum and archival collections, scholarly publishing, and little-known intellectual connections between Ukrainian émigré scholars and their colleagues in Czechoslovakia and various other European countries. Scholars in Exile brings to light an interesting facet of modern Ukrainian history, allowing for a better understanding of the general intellectual and institutional history of Ukraine.
To Tell Their Children
This book offers an examination of Jewish communal memory in Prague in the century and a half stretching from its position as cosmopolitan capital of the Holy Roman Empire (1583-1611) through Catholic reform and triumphalism in the later seventeenth century, to the eve of its encounter with Enlightenment in the early eighteenth. Rachel Greenblatt approaches the subject through the lens of the community's own stories—stories recovered from close readings of a wide range of documents as well as from gravestones and other treasured objects in which Prague's Jews recorded their history. On the basis of this material, Greenblatt shows how members of this community sought to preserve for future ...
Manfred Macmillan
Decadence meets gothic in Manfred Macmillan (1907), a carefully constructed tale of doppelgangers, magical intrigue, and the rootless scion of a noble house. This annotated, first-ever English translation presents an early queer novel long unavailable except in the original Czech. Author Jiří Karásek ze Lvovic (1871–1951) was a major cultural figure in his native Bohemia and cultivated ties with fellow artists from across Central Europe. In their extensive scholarly introduction, translator Carleton Bulkin and translation scholar Brian James Baer situate the novel within longer histories of gay literature, fascinations with the occult, and the cultural and linguistic politics of so-call...
Essays on Lay and Ecclesiastical Communities in and Around the Medieval Urban Parish
This book gives a definite contribution to a wide-ranging reflection on the medieval parish and the secular clergy, considered within a long-term chronological framework and a wide geographical scope that allows the analysis and confrontation of case studies from the Iberian kingdoms, Northern France, Italian Piedmont, Lombardy, Flanders, Transylvania, and North of the Holy Roman Empire. The chapters published in this book tells of dynamics of social, religious, and cultural exclusion and inclusion within lay communities, of the constitution of family elites and parish confraternities; it shows the composition and the recruitment rationales of the parish clergy and of some ecclesiastical chapters with a duty of Cura animarum; it examines the relations of the churches and parochial clergy with more prominent – secular and regular – ecclesiastical institutions in the context of the establishment and exercise of the right of patronage; finally, it explores the role of the secular clergy in the application of justice, based on the characterization of their cultural and juridical formation.
Visual Antisemitism in Central Europe
In eleven contributions, Visual Antisemitism in Central Europe, Imagery of Hatred deals with visual manifestations of antisemitism in Central Europe from the Middle Ages to the present day. The publication, which presents heretofore largely unknown materials, seeks responses from diverse perspectives to the question of the role of visuality in the development of antisemitic moods and political agendas that encouraged hatred towards Jews. The scope of visual anti-Judaism and antisemitism always was and still is very wide: from stereotypical depictions that can conceal an underlying message through humorous content, to clearly formulated assaults that aim to escalate animosity towards an imaginary collective enemy. The goal in both these cases is the exclusion of Jews from the majority society imagined as a monolithic whole, and the reification of a dividing line between "us" and "them". With its wide thematic and methodological range, this book offers a comprehensive image of the phenomenon of visual anti-Judaism and antisemitism and provides rich comparative material for the entire Central European region.
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