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Examining representations of Balinese culture in complex contexts of Indonesia's colonial history, Hindu ritual practice as opposed to Islam, and comparative Indo-European hierarchies, Boon offers a powerful critique of doctrinal approaches to culture, religion, literature, politics, and the history of ideas and disciplines.
In this book, James A. Boon investigates the history, dialectics and practice of the symbolic analysis of cultural diversity. His aim is to formulate a general comparative approach to the study of symbolic processes, integrating the major different theories about symbolic forms that have been developed by other writers.
Professor Boon places our current understanding of Bali within the context of historical views of Balinese life and religion, beginning with the initial Dutch contacts after 1597. Based on field work in Indonesia as well as historical research, this book is the first thorough study of Balinese social and cultural dynamics.
In this book, James Boon ranges through history and around the globe in a series of provocative reflections on the limitations, attractions, and ambiguities of cultural interpretation. The book reflects the unusual keyword of its title, extra-vagance, a term Thoreau used to refer to thought that skirts traditional boundaries. Boon follows Thoreau's lead by broaching subjects as diverse as Balinese ritual, Montaigne, Chaucer, Tarzan, Perry Mason, opera, and the ideas of Jacques Derrida, Ruth Benedict, Kenneth Burke, and Mary Douglas. He makes creative and often playful leaps among eclectic texts and rituals that do not hold single, fixed meanings, but numerous, changing, and exceedingly speci...
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In this book, James Boon ranges through history and around the globe in a series of provocative reflections on the limitations, attractions, and ambiguities of cultural interpretation. The book reflects the unusual keyword of its title, extra-vagance, a term Thoreau used to refer to thought that skirts traditional boundaries. Boon follows Thoreau's lead by broaching subjects as diverse as Balinese ritual, Montaigne, Chaucer, Tarzan, Perry Mason, opera, and the ideas of Jacques Derrida, Ruth Benedict, Kenneth Burke, and Mary Douglas. He makes creative and often playful leaps among eclectic texts and rituals that do not hold single, fixed meanings, but numerous, changing, and exceedingly speci...
Emily has fallen into a pit of distrust after being betrayed by her lover, and even a business trip to Italy can’t seem to raise her spirits. But on her trip she runs into a man named Giovanni in a small shop, a handsome man beaming with geniality. And after their encounter, the two can’t seem to stop running into one another. Could this be…destiny? No! Emily was betrayed once before, and everyone knows men can be frivolous and fickle. Yet no matter how far Emily tries to get from Giovanni, something seems to keep bringing them together.
"English rose Flavia Lassiter has never been comfortable in her father's glitzy world. Summoned to yet another of his ostentatiously lavish parties, she finds that her one order is to be "nice" to a wealthy investor. Her body may be on offer, but she shields her heart behind an icy shell. Leon Maranz emanates a dark power that sends shivers through her body-threatening to shatter her frosty facade. To let the self-made billionaire bed her would be to do her unscrupulous father's bidding. But to turn Leon down would be to deny her body's deepest desires."--P. [4] of cover.
He's a navy SEAL who's highly trained for any assignment. So why can't he resist the woman he's vowed to protect? Navy SEAL 'T-Mac' Trace McGuire is assigned to protect Army Specialist Kinsley Anderson and Agar, her IED-detecting dog. Shot at and nearly blown up, T-Mac admires Kinsley's ability to hold her own. On the run from terrorists, T-Mac is trained to ensure their safety and survival in the African desert and he's prepared for every scenario but one: falling for the woman whose life is in his hands.