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Anastasia
Anastasia--the name has become synonymous with enigma. the story of the youngest daughter of the last Russian czar has become one of the world's most favorite romantic fascinations, and is one of the strangest, saddest, most haunting riddle of the twentieth century: Did she escape the massacre of the Russian Royal family in 1917? James Blair Lovell's exhaustive search for the truth culminates in the definitive book, the last word on the mystery of Anastasia. Drawn form eyewitness testimony, medical and scientific study, handwriting analysis, and a cache of thousands of documents, letters, paintings, private photographs, and audio tapes, "Anastasia: The Lost Princess" separates the facts from the myths, and establishes beyond a shadow of a doubt the identity of the real Anastasia. Filled with romance, intrigue, drama, and startling revelation, it is Anna Anderson's true story.
A Double Story
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Screen Acting
While not everyone would agree with Alfred Hitchcock's notorious remark that 'actors are cattle', there is little understanding of the work film actors do. Yet audience enthusiasm for, or dislike of, actors and their style of performance is a crucial part of the film-going experience. Screen Acting discusses the development of film acting, from the stylisation of the silent era, through the naturalism of Lee Strasberg's 'Method', to Mike Leigh's use of improvisation. The contributors to this innovative volume explore the philosophies which have influenced acting in the movies and analyse the styles and techniques of individual filmmakers and performers, including Bette Davis, James Mason, Susan Sarandon and Morgan Freeman. There are also interviews with working actors: Ian Richardson discusses the relationship between theatre, film and television acting; Claire Rushbrook and Ron Cook discuss theri work with Mike Leigh, and Helen Shaver discusses her work with the critic Susan Knobloch.
