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Satiric and symbolic romance in which Manuel's widow institutes the cult of the Redeemer of Poictesme.
Domnei by James Branch Cabell is the fourth installment in his Biography of the Life of Manuel series, which follows the lives of Dom Manuel and his descendants in the fictional French county of Poictesme. It was initially published as The Soul of Melicent in 1913 under the erroneous advice of Cabell’s publisher, who suggested that the title would help sell more copies. But only 493 copies were sold of the original print run. In 1920 the book was republished as Domnei: A Comedy of Woman-Worship, Cabell’s original vision for the title. The story follows Perion de la Forêt, fugitive leader of a mercenary troop, and his unbridled passion for his newly-wed and newly-distant lover, the Princess Melicent, daughter of Dom Manuel. The tale takes us to many locations in Middle-Ages Europe as we witness to what extent men will go to pursue a woman’s love.
Jurgen, A Comedy of Justice is a fantasy novel by American writer James Branch Cabell, which gained fame (or notoriety) shortly after its publication in 1919. It is a humorous romp through a medieval cosmos, including a send-up of Arthurian legend, and excursions to Heaven and Hell as in The Divine Comedy. Cabell's work is recognized as a landmark in the creation of the comic fantasy novel, influencing Terry Pratchett and many others.
Figures of Earth is the second installment in James Branch Cabell’s Biography of the Life of Manuel, set in the imaginary province of Poictesme. Young Manuel is a simple, well-liked swineherd who is often seen continually reshaping a small figure he made from the marsh clay from the pool of Haranton. One day, a stranger appears and tells Manuel of an adventure to save the Count of Arnaye’s daughter from a wizard who carried her off to the gray mountain called Vraidex. Manuel accepts this adventure (and many more that follow)—and his life will never be the same. The book was originally published in 1921 and was dedicated to “six most gallant champions,” each of whom were real persons who came to Cabell’s defense during the legal battle over alleged obscenity in his previous novel, Jurgen. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
When Let Me Lie was first published in 1947, most reviewers missed the double meaning of the book's title. Deaf to James Branch Cabell's many-layered ironic wit, they read the book as a paean to the old South. Readers of this new paperback edition are unlikely to repeat the mistake. Let Me Lie is indeed a carefully researched and brilliantly written historical narrative of Virginia from 1559 to 1946--focusing on Tidewater, Richmond, and the Northern Neck--but as a fictional scholar remarks in the book, Cabell's history is "both accurate and injudicious." Virginia's story of itself, Cabell claims, depends on illusion and myth, and his skill as a satirist allows him to construct and deflate these myths simultaneously. Ranging from Don Luis de Velasco and Captain John Smith to Edgar Allan Poe and Ellen Glasgow, from Confederate heroes to the oddities of the post-Civil War Old Dominion, Let Me Lie remains compulsively readable, as history, entertainment, or both.
"Rumors ... that certain young men carried their pleasures into forbidden realms" at William and Mary, p.68-74.
American author James Branch Cabell developed into a well-known fantasy writer later in his literary career, but his early novels focused on documenting (and slyly commenting upon) the lives of the American aristocracy in the early twentieth century. The Cords of Vanity follows the travails of a troubled protagonist whose creative aspirations slowly begin to tear him apart.