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American Motorcyclist magazine, the official journal of the American Motorcyclist Associaton, tells the stories of the people who make motorcycling the sport that it is. It's available monthly to AMA members. Become a part of the largest, most diverse and most enthusiastic group of riders in the country by visiting our website or calling 800-AMA-JOIN.
"Fleeing the mobsters he has double crossed, Harry Fabian runs through a virtual obstacle course of London's back streets and alleys during a night in which the shadows seem to grow darker with his every footstep. The night itself seems to be his stalker, its shadows enveloping him like a closing coffin lid."So begins "The Shadows of Film Noir," Brian W. Fairbanks' perceptive analysis of the genre, one of the highlights of a collection that also includes knowledgable profiles of film giants like John Wayne, Robert Mitchum, Richard Widmark and even Elliott Gould, as well as a memorable lament for the movie palaces that have fallen victim to the multiplex in our fast food styled culture.THE LATE SHOW: WRITINGS ON FILM celebrates the glory days of cinema in witty prose from a writer with a "real talent for extracting the essence of a given subject and articulating it in a meaningful way."
He became a star overnight as surly, sexy, usually shirtless Kovac in Hitchcock's Lifeboat (1944). Handsome and personable, John Hodiak (1914-1955) embraced his heritage as the son of Polish-Ukrainian immigrants, making him a rare Golden Age actor whose true ethnicity (and birth name) were widely known by moviegoers. Starting in radio, Hodiak was brought to Hollywood by MGM, starring in films like A Bell for Adano (1945) and The Harvey Girls (1946). In making Sunday Dinner for a Soldier (1944), he and co-star Anne Baxter fell in love despite divergent backgrounds and wed after a tumultuous courtship. The 1950s saw the breakdown of his marriage but also new professional opportunities, notably...
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