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Longlisted for the Authors' Club First Novel Award 'Divine . . . the smart, sexy read you need' Evening Standard 'Startlingly impressive' Daily Mail 'Exhilarating' Vogue.com 'An electric new novel' Guardian AN EXQUISITE DEBUT NOVEL. A MID-LIFE COMING-OF-AGE STORY CHARTING ONE MAN'S SEXUAL AWAKENING AND HIS SPECTACULAR FALL FROM GRACE IN 1990S LONDON. FOR FANS OF ALAN HOLLINGHURST AND EDWARD ST AUBYN. Exiled from his university position for an inexcusable blunder, art historian Don Lamb flees to London, a city alive with sex and creativity. There, over the course of a long, hot summer, as he is immersed in the anarchic art and gay scenes of the mid-90s, Don sees his carefully curated life irrevocably changed. But his epiphany is also a reckoning, as his unexamined past is revealed to him in a devastating new light. Intense and atmospheric, Tiepolo Blue traces Don's turbulent awakening, and his desperate flight from art into life. 'Wildly enjoyable . . . A novel that combines formal elegance with gripping storytelling' Financial Times 'Dizzying and exciting and unsettling, and beautifully told' Reverend Richard Coles, Daily Mail
"This is an outstanding piece of work: timely, essential, authoritative, and original. Cahill throws light on obscure artists, emerging styles and regional traditions, unexplored aspects of cultural life, enigmatic iconographies, and questions of authorship and authenticity, leaving the reader richly informed and full of new ideas."--Susan Nelson, Indiana University "Cahill brings the vast body of 'vernacular' painting into the legitimate venue of art historical criticism, giving connoisseurs, viewers, and readers a more capacious and accurate grasp of the world of Chinese pictorial art."--Susan Mann, author of The Talented Women of the Zhang Family
This beautifully illustrated book looks at three exemplary traditions in poetic painting, bringing new understanding of the relationship between the art and the societies that produced it.
Discusses the economic, political, and social conditions of artists in China, describing their place in its hierarchical structure
James Cahill explores the radiant painting of that tumultuous era when the collapse of the Ming Dynasty and the Manchu conquest of China dramatically changed the lives and thinking of artists and intellectuals. Over 250 illustrations, including 12 color plates, are drawn from collections in the United States, Europe, Japan, and China.
How do you be an artist? How do you become one in the first place, and what sort of advice should you heed along the way? Is art a 'career', or a vocation? Do you need a studio or a dealer, and how do you find one? Are artists too competitive? How do they come up with ideas, and what is the point of the private view? Does financial success—or the lack of it—change an artist? What are the advantages of getting older? How do older artists look back on their earlier work, and is it possible for an artist to ever retire? Based upon advice from a huge roster of artists, dealers and curators; and encompassing every stage of an artist's life—from early works, to debut shows and mid and late-career—this book answers all the key questions that every artist has at some point asked themselves.
The first major survey to reveal the ways in which Classical mythology has inspired art throughout the last 2,500 years From the films of Woody Allen and the Coen Brothers to Margaret Atwood's books and Arcade Fire's songs, Classical Greek and Roman myths continue to be a source of cultural inspiration. The struggles of heroes, both triumphant and tragic, with gods, monsters, and fate, exert a particular grip on our imagination. Visual artists have long expressed and reworked these foundational stories. This is the first book to unite myth-inspired artworks by ancient, modern, and contemporary artists, from Botticelli and Caravaggio to Jeff Koons and Damien Hirst.
The latest addition to the 'Lives of the Artists' series: highly readable short biographies of the world's greatest artists David Hockney is the most famous living British artist. And he is arguably one of the more famous American artists as well. Emerging from the north of England in the 1960s, he made quite a splash in Swinging London as a portaitist, and went on to make a even bigger splash in Los Angeles when he moved there in the 1970s. His figurative paintings of the 1970s and 1980s captured the zeitgeist of West Coast living, while he also explored new avenues by constructing mosaics out of polaroids. By the beginning of the millennium, he returned to his Yorkshire roots, embarking on a new period of painting. This came to an end with the death by misadventure in his home of a young studio assistant in 2013. He went 'home' to LA and has in the intervening years begun a new period of contemplative portraiture.