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The Boston Directory
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Poetry and the Sense of Panic
For all the disciplined artifice of Elizabeth Bishop and John Ashbery, the essays in this collection show that panic plays a crucial role in their work, giving substance to Bishop's claim that an element of mortal panic and fear underlines all art. This collection provides original commentaries on the work of two poets widely regarded as amongst the most significant American poets of the second half of the twentieth century with essays by notable scholars from the United States and Britain known for their special interests in modern poetry including Joanne Feit Diehl, Mark Ford, Edward Larissy, Peter Nicholls, Peter Robinson, Thomas Travisano, Cheryl Walker and Geoff Ward.
Mark Rothko
This is the first volume of the catalogue raisonne of the work of Mark Rothko, the abstract artist. It documents Rothko's entire output of paintings on canvas and panel, reproducing all the works in colour. An introductory text investigates the essential features of Rothko's art.
Mark Rothko
"Mark Rothko was not only one of the most influential American painters of the twentieth century; he was a scholar, an educator, and a deeply spiritual human being. Born Marcus Yakovlevich Rotkovitch, he emigrated from the Russian Empire to the United States at age ten, already well educated in the Talmud and carrying with him bitter memories of the pogroms and persecutions visited upon the Jews of Latvia. Few artists have achieved success as quickly, and by the mid-twentieth century, Rothko's artwork was being displayed in major museums throughout the world. In May 2012 his painting Orange, Red, Yellow was auctioned for nearly $87 million, setting a new Christie's record. Author Annie Cohen-Solal gained access to archival materials no previous biographer had seen. As a result, her book is an extraordinarily detailed portrait of Rothko the man and the artist, an uncommonly successful painter who was never comfortable with the idea of his art as a commodity"--
The Birth of the Imagination
William Carlos Williams first spoke to the issue of form shortly after the publication of “The Wanderer” in 1914—his move to vers libre—and didn’t stop talking about form until his death in 1963. His poetry shows, decade after decade, persistent formal innovation. Bruce Holsapple’s The Birth of the Imagination relates the form, structure, and content of Williams’s poetry to demonstrate how his formal concerns bear upon the content, namely, how form testifies to a vision that the style verifies. Tracing the development of Williams’s work from Poems in 1909 through The Wedge in 1944, Holsapple aligns emerging aesthetic concepts and procedures with shifts in Williams’s writing to disclose how meaning becomes refigured, affecting what the poems “say.” While focusing primarily on Williams’s experimental works, including the novellas, this innovative study charts how significant features in Williams’s poetry result from specific imaginative practices.
ROTHKO
ROTHKO A bilingual English/German edition Rothko, as depicted by Friesen, is a consumed artist, compelled by forces unseen and perhaps unknown; the artist is driven at a pace to create that defies both logic and sensibility. It, the play, reaches into its audience and provides it with an opportunity to contemplate the very essence of life itself, especially that life lived by an artist who knows his calling and strives to achieve it in spite of the constraints that seek to deter him. This play is laced with cleverness, wit, and understanding. One leaves a reading or production of Rothko with a clear and honest appreciation for the trials and conflicts that harass the artist and attempt to deter him from his task. Ken Robbins Louisiana Tech University
Vise and Shadow
In Vise and Shadow, the critically acclaimed poet and memoirist Peter Balakian brings together his most influential essays of the past twenty-five years. He argues that the force of the lyric imagination is able to hold experience under pressure like a vise, while it also shadows history. Precise, lyrical, and eloquent, Balakian's essays explore the ways poetry engages disaster and ingests mass violence without succumbing to the didactic. He gives us new insights into the relationships between trauma, memory, and aesthetic form; his essays on major Armenian voices and the aftermath of genocide are a fresh contribution to contemporary literature and art. Other essays engage painting, collage, song lyrics, and film as forms of enduring lyric knowledge. With a range that includes W. B. Yeats, YeghisheCharents, Joan Didion, Hart Crane, Primo Levi, Robert Rauschenberg, Bob Dylan, Elia Kazan, Arshile Gorky, and Adrienne Rich, Vise and Shadow offers a cosmopolitan vision of the power and resilience of the human imagination.
Romanticism and Postmodernism
The persistence of Romantic thought and literary practice into the late twentieth century is evident in many contexts, from the philosophical and ideological abstractions of literary theory to the thematic and formal preoccupations of contemporary fiction and poetry. Though the precise meaning of the Romantic legacy is contested, it remains stubbornly difficult to move beyond. This collection of essays by prominent critics and literary theorists was first published in 1999, and explores the continuing impact of Romanticism on a variety of authors and genres, including John Barth, William Gibson, and John Ashbery, while writers from the Romantic and Victorian period include Wordsworth, Byron and Emily Brontë. Many critics have assumed that the forms and modes of feeling associated with the Romantic period continued to influence the cultural history of the the first half of the twentieth century. This was the first book to consider the mutual impact of postmodernism and Romanticism.
Cold War Poetry
Mainstream American poetry of the 1950s has long been dismissed as deliberately indifferent to its cultural circumstances. In this penetrating study, Edward Brunner breaks the placid surface of the hollow decade to reveal a poetry sharply responsive to issues of its time. Cold War Poetry considers the fifties poem as part of a dual cultural project: as proof of the competency of the newly professionalized poet and as a user-friendly way of initiating a newly educated, upwardly mobile postwar audience into high culture. Brunner revisits Richard Wilbur, Randall Jarrell, and other acknowledged leaders of the period as well as neglected writers such as Rosalie Moore, V. R. Lang, Katherine Hoskin...
Desiring Women
On 23 September 1925, Virginia Woolf wrote to Vita Sackville-West: 'if you'll make me up, I'll make you.' In Desiring Women, Karyn Sproles argues that the two writers in fact 'made' each other. Woolf and Sackville-West produced some of the most vibrant and acclaimed work of their respective careers during their passionate affair, and Sproles demonstrates how this body of work was a collaborative project - a partnership - in which they promised to reinvent one another. Sproles argues that in all they wrote during their affair - essays, criticism, novels, poems, biographies, and personal etters - Woolf and Sackville-West struggled to represent their desire for one another and to resist the social pressures that would deny their passion. At the centre of this literary conversation is Orlando, Woolf's biography of Sackville-West. Sproles restores Orlando to the context of Woolf and Sackville-West's discussion of gender and sexuality and demonstrates its importance in Woolf's oeuvre. Sexy and provocative, Desiring Women re-imagines Woolf and Sackville-West as daring, funny, beautiful, and bent on resisting the repression of women's desires.
