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At Memory's Edge
How should Germany commemorate the mass murder of Jews once committed in its name? In 1997, James E. Young was invited to join a German commission appointed to find an appropriate design for a national memorial in Berlin to the European Jews killed in World War II. As the only foreigner and only Jew on the panel, Young gained a unique perspective on Germany's fraught efforts to memorialize the Holocaust. In this book, he tells for the first time the inside story of Germany's national Holocaust memorial and his own role in it. In exploring Germany's memorial crisis, Young also asks the more general question of how a generation of contemporary artists can remember an event like the Holocaust, ...
The Stages of Memory
Introduction. The memorial's vernacular arc between Berlin's Denkmal and New York City's 9/11 Memorial -- The stages of memory at Ground Zero: the National 9/11 Memorial process -- Daniel Libeskind and the houses of Jewish memory: what is Jewish architecture? -- Regarding the pain of women: gender and the arts of holocaust memory -- The terrible beauty of Nazi aesthetics -- Looking into the mirrors of evil: Nazi imagery in contemporary art at the Jewish Museum in New York -- The contemporary arts of memory in the works of Esther Shalev-Gerz, Miroslaw Balka, Tobi Kahn, and Komar and Melamid -- Utøya and Norway's July 22 memorial: the memory of political terror.
The Texture of Memory
Dotyczy m. in. Polski.
Writing and Rewriting the Holocaust
Study of how historical memory and understanding are created in Holocaust diaries, memoirs, fiction, poetry, drama video testimony and memorials. Explores the consequences of narrative understanding for the victims, the survivors, and subsequent generations. Annotation copyrighted by Book News, Inc., Portland, OR
The Art of Memory
We have chosen to investigate the reasons why memorials have been built, to look at whose memory is being honored, and to examine the responses to these memorials. The creation of an exhibition and the production of this book presented the opportunity for an analytic perspective. In the process, we have neither created another memorial nor have we solely explored the field of Holocaust art. Rather, we have attempted to reveal the nature of the creative process through the discussion of specific examples of a number of memorials, and we have tried to understand their meaning and the reaction to them in the many places where they exist. - Preface.
Young William James Thinking
Ultimately, Young William James Thinking reveals how James provided a humane vision well suited to our pluralist age.
Witnessing the Disaster
Witnessing the Disaster examines how histories, films, stories and novels, memorials and museums, and survivor testimonies involve problems of witnessing: how do those who survived, and those who lived long after the Holocaust, make clear to us what happened? How can we distinguish between more and less authentic accounts? Are histories more adequate descriptors of the horror than narrative? Does the susceptibility of survivor accounts to faulty memory and the vestiges of trauma make them any more or less useful as instruments of witness? And how do we authenticate their accuracy without giving those who deny the Holocaust a small but dangerous foothold? These essayists aim to move past the notion that the Holocaust as an event defies representation. They look at specific cases of Holocaust representation and consider their effect, their structure, their authenticity, and the kind of knowledge they produce. Taken together they consider the tension between history and memory, the vexed problem of eyewitness testimony and its status as evidence, and the ethical imperatives of Holocaust representation.
Nico
Nico’s keyboardist recounts her ill-advised eighties tour in this “funny memoir . . . A well-written black comedy” of life on the fringes of rock & roll (The New York Times). This is the story of the last “scene” of the art rock diva Nico, whose fifteen minutes of fame included her tenure with Andy Warhol’s Factory, the films Chelsea Girls and La Dolce Vita, and a momentous stint with The Velvet Underground, singing on their debut album, The Velvet Underground & Nico. In 1982, Nico was living in Manchester, England, far from her “fifteen minutes” and interested only in feeding her heroin habit. Local promoter Dr. Demetrius saw an opportunity, hired musicians to back her, and set off on a disastrous tour of Italy. In a daze of chaotic live shows and countless heroin scores, Nico toured the world with assorted thrown-together bands, encountering a wild crew of personalities, including John Cale, Allen Ginsberg, John Cooper Clarke, and Gregory Corso. This story of Nico and the characters who orbited around her is “a funny and engaging chronicle that puts you right on the tour bus, amid the clutter of drums and drugs and unwashed bodies” (Kirkus Reviews).
The Texture of Memory
Explores Holocaust monuments and museums in Europe, Israel, and America and observes that every nation remembers the Holocaust according to that region's own traditions, ideals, and experiences.
The Submission
A jury gathers in Manhattan to select a memorial for the victims of a devastating terrorist attack. Their fraught deliberations complete, the jurors open the envelope containing the anonymous winner's name – and discover he is an American Muslim. Instantly they are cast into roiling debate about the claims of grief, the ambiguities of art, and the meaning of Islam. The memorial's designer is Mohammad Khan, an enigmatic, ambitious architect. His fiercest defender on the jury is its sole widow, the mediagenic Claire Burwell. But when the news of his selection leaks to the press, Claire finds herself under pressure from outraged family members and in collision with hungry journalists, wary activists, opportunistic politicians, fellow jurors, and Khan himself. All will bring the emotional weight of their own histories to bear on the urgent question of how to remember, and understand, a national tragedy.
