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1994. Years before "homo thug" and "down low" became infamous catchphrases, Omar Little put the "G" in Gangsta on HBO's The Wire, and Lil Nas X became a global pop star ... there was B-BOY BLUES. Revisit or experience for the first time the story that ushered in the Africentric gay fiction genre, and put Black-on-Black male love on both the map and the bestseller lists! SYNOPSIS: Mitchell Crawford always wished, hoped, and dreamed for a RUFFNECK - a hip-hop-lovin', street-struttin', cool posin', crazy crotch-grabbin' brotha. And he finally finds one in Raheim Rivers, who is a vision of lust: six feet tall and 215 pounds of mocha-chocolate muscle. Mitchell knows Raheim will take him for a wal...
Things are definitely "jood" (better than good) for 15-year-old Raheim Errol Rivers, III. A senior at Brooklyn Technical High School, he's on track to become salutatorian of his graduating class. He's juggling early admissions offers from Yale, Harvard, and MIT. He's dating an "older woman": 19-year-old New York University sophomore Maxine "Max" Edgewood. But the chocolate icing on his yellow layer cake is his father, Raheim Errol Rivers, Jr., and godfather, Mitchell Crawford, reuniting after four years. Errol is ecstatic when Raheim moves back in with he, Mitchell, and Mitchell's five-year-old daughter, Destiny. But he soon discovers that making room for another Rivers man in their home is easier said than done.
At his ten-year high school class reunion, Mitchell Crawford confronts his first love, his gymnastics coach Warren Reid.
This addition to the B-Boy Blues series about the developing love of Raheim Rivers and Mitchell Crawford shows how their relationship is tested by the specter of AIDS. Ribers' complacency is shattered when he learns that his idol Eazy-E has AIDS. Rivers gets tested and the narrative concerns the long waiting period until he learns his test result - a period when his own fear and the stigma of the disease push him towards conflicting decisions. The previous three books have sold well over 100,000 copies
In a tribute to the late author E. Lynn Harris, three authors present stories about the romantic lives of gay African-Americans, with each story paired with the author's personal memories of Harris and how he influenced them.
Do men and monogamy mix? It's not a question Mitchell "Little Bit" Crawford gave much thought to until his beaufriend of almost two years, Raheim "Pooquie" Rivers, an All-American jeans model, heads to Hollywood to make his first feature film. As Mitchell soon discovers, the temptation to cheat is very real . . . and it seems to be everywhere. An ex even pops up hoping to pick up where they left -- and got -- off. While intrigued, Mitchell chalks all the attention up to "the married man" syndrome: one is much more desirable when he's attached to someone else. But as he continues to run into bisexual musician Montgomery "Montee" Simms, the look-but-don't-touch rule is put to the test. As he and Montee get closer, Mitchell's idealistic beliefs about commitment are challenged. Will he love the one he's with because he can't be with the one he loves?
Somewhere in Africa, more than a million years ago, a line of apes began to rear their young differently than their Great Ape ancestors. From this new form of care came new ways of engaging and understanding each other. How such singular human capacities evolved, and how they have kept us alive for thousands of generations, is the mystery revealed in this bold and wide-ranging new vision of human emotional evolution. Mothers and Others finds the key in the primatologically unique length of human childhood. If the young were to survive in a world of scarce food, they needed to be cared for, not only by their mothers but also by siblings, aunts, fathers, friends—and, with any luck, grandmoth...
"In the Life, an expression which means being gay, is also the title of this collection of writings in which more than 25 black authors explore what it means to be doubly different - both black and gay - in modern America. These stories, verses, works of art, and theater pieces voice the concerns and aspirations of an often silent minority. They can be poignant, erotic, resolute or angry, but always reflect the affirming power of coming together to build a strong black gay community. Editor Joseph Beam began collecting this material in 1984 after years of frustration with gay literature that had no message for - and little mention of - black gay men. "The bottom line," he wrote, "is this: We are Black men who are proudly gay. What we offer is our lives, our love, our visions... We are coming home with our heads held up high.""--BOOK JACKET.
Describes the development of the music group that was the first to break Elvis Presley's record for length as number one on the pop chart.