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Founded in 1753, Portsmouth became the major port of entry for goods coming into North Carolina until around 1845. It served as a major hub for maritime trade up and down the East Coast of the United States and to the Caribbean. During the Civil War, most of the residents left the island, and very few of them returned after the war. Over the next century, many more residents left due to the bad hurricanes and lack of jobs. By the 1970s, the island was a deserted ghost town. The State of North Carolina began buying up the property on Portsmouth Island and, in 1976, gave the land to the Cape Lookout National Seashore. The Cape Lookout National Seashore has helped preserve the historic character of the village, which in turn has brought a surge in tourism. In 1994, the Friends of Portsmouth Island was formed. In addition to the National Seashore, it has worked to preserve the village as well as the history of the island.
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"The Gray Dawn" by Stewart Edward White. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
In the year 1894, I published in two volumes a romance of the Indian Mutiny, under the title of “The Star of Fortune.” A short prefatory note intimated that it was my lot to be in India during the terrible time of the Sepoy Rebellion. From this it may be inferred that I not only wrote with feeling, but with some personal knowledge of my subject. “The Star of Fortune” was exceedingly well received by the public, and last year a cheaper edition was called for. That edition has been extensively circulated throughout India and the Colonies. The book on the whole was well reviewed, while my critics were good enough to accord me praise, by no means stinted, for the portions which dealt with the Mutiny proper. One London paper said it was “a very fine picture narrative,” another spoke of it as “a spirited piece of writing,” a third declared it was “written with spirit and vivacity,” a fourth as being “really breathless in interest.” I could go on multiplying quotations similar to the foregoing, but those I have given will serve the purpose I have in view.
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