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Parliament Square
Cover -- Title Page -- Contents -- Original Production -- Acknowledgements -- Epigraph -- Dedication -- Characters -- Note on Text -- One -- Two -- Three -- About the Author
James Fritz Plays: One
A playwright known for dazzling structural inventiveness combined with emotional intelligence and wit, James Fritz is a unique voice in British theatre. His work, reflected in these six plays covering the first decade of his career, confronts the fault lines in our culture with thrilling imagination, an unflinching moral seriousness and a warm, compassionate sense of humour. Four Minutes Twelve Seconds (Hampstead Theatre, 2014; Trafalgar Studios, 2015; winner of the Critics' Circle Award for Most Promising Playwright) is a 'morally terrifying drama' (Evening Standard) that unpicks the trust between parents and their teenage offspring in an age of selfies and sexting. Ross & Rachel (Edinburgh...
The Fall
'Imagine being him. Every day you wake up. You're tired. Your body doesn't work properly... You said it - you'd kill yourself.' Two teenagers sneak into an old man's home for a secret meeting. A young couple try to build their future whilst looking after an ailing parent. A care home offers its residents the opportunity to unburden their children. James Fritz's play The Fall takes a funny, moving and candid look at young people's relationships to older people, confronting the frightening prospect of ageing in a country undergoing crises of housing and care. It was commissioned and premiered by the National Youth Theatre at the Finborough Theatre, London, in 2016, and revived at Southwark Playhouse in 2018.
Start Swimming
James Fritz's 'Start Swimming' is a play that asks what power young people have to affect change and resist authority. It was developed by the Young Vic Taking Part department, and was first performed in The Clare, Young Vic, London, on 26 April 2017. It transferred to Summerhall, Edinburgh, on 2 August 2017, as part of the Edinburgh Festival Fringe.
Lava (2022 Edition)
A small asteroid has hit the capital city. Thousands have been displaced. And in a town far away, a young man called Vin is finding it hard to talk. The only person who seems to notice is Rach, who resolves to find out what's troubling him and help him find his voice again. But when Rach's family take in an articulate and charismatic survivor of the asteroid incident, Vin's silence is no longer her first priority. How does it feel when the suffering of others seems more legitimate than our own? James Fritz's Lava is a timely play about grief and the power of expression, rocking with raw emotion and sharp humour. It premiered at Nottingham Playhouse in 2018, in a co-production with Fifth Word who commissioned the play. It was revived on tour in 2022, including a run at Soho Theatre, London.
Four minutes twelve seconds
He says they all do it. These kids, you know, they've got their phones. Film everything. Can't say I blame them. I would at that age. Seventeen-year-old Jack is the apple of his mother's eye. His parents, Di and David, have devoted their lives to giving him every opportunity they never had. As a result, Jack is smart, outgoing, and well on his way to achieving the grades to study Law at Durham University. But a startling incident outside the school gates threatens to ruin everything they've striven for: an incident that suggests a deep hatred of their son. As events begin to accelerate, Di and David start to doubt Jack's closest friends, Jack himself, and ultimately themselves – who can they trust? In a world where smartphones are ubiquitous, James Fritz's deeply provocative and topical drama throws a light on the sorts of insidious opportunities new technology offers – where nothing dies online, except reputation. Four Minutes Twelve Seconds was runner-up for the Verity Bargate Award in 2013. It received its world premiere at Hampstead Theatre in the Downstairs space on 2 October 2014.
Ion Chromatography
Reflecting the tremendous development of ion chromatography in recent years, the best-selling book by Fritz and Gjerde has now gone into a third edition. This is essentially a new book, describing materials, principles, and methods of ion chromatography in a clear and concise style. The book can be used both as an introduction for the new comer and as a practical guide for method development and applications for the experienced user. It contains handy tables with useful data, e. g. on detection and elution conditions. With this new edition, the scope has been enlarged to include capillary electrophoresis as well as chemical speciation. The readers of this book will profit from the authors' background and experience both in education and industrial application.
Great Houses of London
Great Houses of London tells the stories of some of the grandest and most fascinating houses in this historic city, from their famous owners and occupants to their renovations and the many riches held within each.
The Beat Killer
Lucien Carr is rarely, if ever, mentioned in the same breath as the more famous poets and authors of the Beat Generation such as Jack Kerouac, Allen Ginsberg, or William Burroughs. The Beats were known for views and work that was considered very radical in the 1940s, 1950s, and into the 1960s. For some, this work was shocking, for others it was freeing and inspired a new generation of writers. It all began with Carr. His conversations with Ginsberg about the "New Vision" and his rejection of traditional morality drew the Beats together and set the course for literary history. However, Carr's shocking murder of David Kammerer in 1944 altered his own life's course and left him searching for anonymity rather than the spotlight that would shine on the Beat Generation.
