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“Powerfully and persuasively . . . Gibson tells us why we were in Vietnam . . . a work of daring brilliance—an eye-opening chronicle of waste and self-delusion.” —Robert Olen Butler In this groundbreaking book, James William Gibson shatters the misled assumptions behind both liberal and conservative explanations for America’s failure in Vietnam. Gibson shows how American government and military officials developed a disturbingly limited concept of war—what he calls “technowar”—in which all efforts were focused on maximizing the enemy’s body count, regardless of the means. Consumed by a blind faith in the technology of destruction, American leaders failed to take into acco...
Should appeal to ecological and environmental psychologists inclduing APA Div 34 and subscribers of ECO.
James J. Gibson’s numerous theoretical and empirical contributions to the understanding of how people perceive were innovative, controversial, often radical, and always profound. Many of his ideas revolutionized the science of perception, and his influence continued to grow throughout the world. This book, originally published in 1982, is a collection of the most important of Gibson’s essays on the psychology of perception. Drawing from the entire corpus of Gibson’s papers, the editors have selected over thirty works dealing with such diverse topics as ecological optics, event perception, pictorial representation, and the conceptual foundations of psychology. The editors’ goals in preparing the volume were twofold: first to provide easy access to Gibson’s most outstanding papers and talks, including some that were previously unpublished; and second, to provide an intellectual biography of Gibson by including essays from the different periods of his career.
This is a book about how we see: the environment around us (its surfaces, their layout, and their colors and textures); where we are in the environment; whether or not we are moving and, if we are, where we are going; what things are good for; how to do things (to thread a needle or drive an automobile); or why things look as they do. The basic assumption is that vision depends on the eye which is connected to the brain. The author suggests that natural vision depends on the eyes in the head on a body supported by the ground, the brain being only the central organ of a complete visual system. When no constraints are put on the visual system, people look around, walk up to something interesting and move around it so as to see it from all sides, and go from one vista to another. That is natural vision -- and what this book is about.
A crisis of legitimacy exists between African Americans and American legal institutions. This book shows how and why African Americans differ in a desire to ascribe legitimacy to legal institutions, as well as a willingness to accept the policy decisions those institutions put forward.
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Originally published in 1987, this title intended to historically reveal, through tracing Gibson’s development, the substance of his views and how they bore upon general philosophical issues in theories of knowledge, and to investigate in detail the historical context of Gibson’s theoretical position within psychology. Though the author has included a history of Gibson’s perceptual research and experimentation, the focus is to explicate the ‘dynamic abstract form’ of Gibson’s ecological approach. His emphasis is philosophical and theoretical, attempting to bring out the direction Gibson was moving in and how such changes could restructure the theoretical fabric of psychology. He devotes considerable attention to the Greeks, Medievalists, and the founders of the Scientific Revolution. This is because Gibson’s theoretical challenge runs deep into the structure of western thought. The authors’ central goal was to set Gibson’s ecological theory within the historical context of fundamental philosophical-scientific issues.
Covers every nuclear delivery system the United States ever deployed, from submarines and their missiles to artillery rounds and mines.
Vietnam signaled the end of America's long history of martial victories. In Warrior Dreams, James William Gibson argues that the shame of defeat by a technologically inferior enemy, compounded by challenges to the status quo from feminism and minority groups, created a profound crisis in American identity - particularly for the white American male - and gave birth to a disturbing and reactionary new war culture designed to make America well again. Armed with a journalist's curiosity and a critic's precision, Gibson sets out to map this new American war zone. He plays paintball with Los Angeles's weekend warriors, learns to shoot like a pro at Arizona's elite Gunsite Ranch, and parties with soldiers of fortune at their annual convention in Las Vegas. Gibson surveys the combat magazines and weapons advertisements, films and novels that fuel the sexual, violent fantasies of millions of would-be warriors across the country. And he shows how this mythology, far from harmless consumer entertainment, has indeed started a new war with real warriors - Aryan Nation, contract killers, mercenaries in Central America - and with dangerous consequences for our democracy.