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Theatre History Studies 2008, Vol. 28
Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre.
When Romeo was a Woman
Examines the life of the androgynous nineteenth-century American actress and her work on the Anglo-American stage
Crafting Equality
Philosophers and historians often treat fundamental concepts like equality as if they existed only as fixed ideas found solely in the canonical texts of civilization. In Crafting Equality, Celeste Michelle Condit and John Louis Lucaites argue that the meaning of at least one key word—equality—has been forged in the day-to-day pragmatics of public discourse. Drawing upon little studied speeches, newspapers, magazines, and other public discourse, Condit and Lucaites survey the shifting meaning of equality from 1760 to the present as a process of interaction and negotiation among different social groups in American politics and culture. They make a powerful case for the critical role of bla...
Reimagining Panama's Musical and Cultural Narratives of Jazz
Reimagining Panama’s Musical and Cultural Narratives of Jazz: Panamanian Suite narrates the complex relationship between Panama and the United States by tracing the paths of their music, tracking the development of jazz in Panama from the mid-nineteenth century to the modern day through three movements: pre-jazz, jazz, and global jazz. As a vital port of Caribbean migration in the twentieth century, Panama played an essential role in the emergence and shaping of jazz and other cultural forms, many of which influenced culture on the mainland United States. Patricia Zarate de Perez explores new narratives of jazz from a Pan-Afro-Latin American perspective, beginning with an examination of mu...
Bounded Lives, Bounded Places
During Louisiana’s Spanish colonial period, economic, political, and military conditions combined with local cultural and legal traditions to favor the growth and development of a substantial group of free blacks. In Bounded Lives, Bounded Places, Kimberly S. Hanger explores the origin of antebellum New Orleans’ large, influential, and propertied free black—or libre—population, one that was unique in the South. Hanger examines the issues libres confronted as they individually and collectively contested their ambiguous status in a complexly stratified society. Drawing on rare archives in Louisiana and Spain, Hanger reconstructs the world of late-eighteenth-century New Orleans from the...
Hearing History
Hearing History is a long-needed introduction to the basic tenets of what is variously termed historical acoustemology, auditory culture, or aural history. Gathering twenty-one of the fields most important writings, this volume will deepen and broaden our understanding of changing perceptions of sound and hearing and the ongoing education of our senses. The essays stimulate thinking on key questions: What is aural history? Why has vision tended to triumph over hearing in historical accounts? How might we begin to reclaim the sounds of the past? With theoretical and practical essays on the history of sound and hearing in Europe and the United States, the book draws on historical approaches ra...
Religion of a Different Color
The Church of Jesus Christ of Latter-day Saints (Mormonism) has consistently found itself on the wrong side of white. Mormon whiteness in the nineteenth century was a contested variable not an assumed fact. Religion of a Different Color traces Mormonism's racial trajectory from not white enough in the nineteenth century, to too white by the twenty-first.
Where These Memories Grow
Southerners are known for their strong sense of history. But the kinds of memories southerners have valued--and the ways in which they have preserved, transmitted, and revitalized those memories--have been as varied as the region's inhabitants themselves. This collection presents fresh and innovative perspectives on how southerners across two centuries and from Texas to North Carolina have interpreted their past. Thirteen contributors explore the workings of historical memory among groups as diverse as white artisans in early-nineteenth-century Georgia, African American authors in the late nineteenth century, and Louisiana Cajuns in the twentieth century. In the process, they offer critical ...
Ethnicity Counts
Official statistics about ethnicity in advanced societies are no better than those in less developed countries. An open industrial society is inherently fluid, and it is as hard to interpret social class and ethnic groups there as in a nearly static community. In consequence, the collection and interpretation of ethnic statistics is frequently a battleground where the groups being counted contest each element of every enumeration. William Petersen describes how ethnic identity is determined and how ethnic or racial units are counted by official statistical agencies in the United States and elsewhere. The chapters in this book cover such topics as: "Identification of Americans of European Des...
The Cajuns
The past sixty years have shaped and reshaped the group of French-speaking Louisiana people known as the Cajuns. During this period they have become much like other Americans and yet have remained strikingly distinct. The Cajuns: Americanization of a People explores these six decades and analyzes the forces that had an impact on Louisiana's Acadiana. In the 1940s, when America entered World War II, so too did the isolated Cajuns. Cajun soldiers fought alongside troops from Brooklyn and Berkeley and absorbed aspects of new cultures. In the 1950s as rock 'n' roll and television crackled across Louisiana airwaves, Cajun music makers responded with their own distinct versions. In the 1960s, empo...
