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The Ancestry and Posterity of John Lea, of Christian Malford
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Selected Letters of Vernon Lee, 1856–1935
Vernon Lee was the pen name of Violet Paget – a prolific author best known for her supernatural fiction, her support of the Aesthetic Movement and her radical polemics. She was an active correspondent who included many well-known figures among her circle. This scholarly edition of her letters makes a selection from more than 30 archives worldwide.
Retaining the Old Episcopal Divinity
"John Edwards of Cambridge (1637-1716) has typically been portrayed as a marginalized 'Calvinist' in an overwhelmingly 'Arminian' later Stuart Church of England. In Retaining the Old Episcopal Divinity, Jake Griesel challenges this depiction of Edwards and the theological climate of his contemporary Church. Griesel demonstrates that Edwards was recognized in his own day and the immediately following generations as one of the preeminent conforming divines of the period, who featured prominently in notable theological controversies concerning contemporaries such as John Locke, Gilbert Burnet, Daniel Whitby, William Whiston, and Samuel Clarke. Despite some Arminian opposition, Edwards' theologi...
The Law Times
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Venetian Views, Venetian Blinds
Half a millennium of English and American fantasies of Venice: this collection of essays by leading critics in the field explores the continued and continuing fascination of travellers, writers, artists, theatre workers and film makers with the amphibious and ambiguous city in the lagoon. There is hardly another place in Europe that has become so much of a palimpsest, inscribed with the fantasies, the dreams and nightmares of generations of foreigners, and this turns Venetian Views, Venetian Blinds into a particularly pertinent case study of the ways cultural difference within Europe is experienced, enacted and constructed. The essays range across five centuries - from the Renaissance to our postmodern present, from Shakespeare and his contemporary Coryate to recent novels, detective fiction and films - and, in contrast to previous studies focussing on the Grand Tour, they emphasise more recent developments and how they continue or disrupt traditional ways of perceiving - or being blind to! - Venice.
