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Tilting at Mortality
Craig's approach - yoking subject matter and narrative strategies - distinguishes this book from others about Heller's work, which essentially thematize. By contrast, Craig uses Heller's abiding concern with mortality to open previously unexplored areas of his fiction.
The Turmoil
A familiar midwestern novel in the tradition of Sherwood Anderson and Sinclair Lewis, The Turmoil was the best-selling novel of 1915. It is set in a small, quiet city--never named but closely resembling the author's hometown of Indianapolis--that is quickly being transformed into a bustling, money-making nest of competitors more or less overrun by "the worshippers of Bigness." "There is a midland city in the heart of fair, open country, a dirty and wonderful city nesting dingily in the fog of its own smoke," begins The Turmoil, the first volume of Pulitzer Prize-winner Booth Tarkington's "Growth" trilogy. A narrative of loss and change, a love story, and a warning about the potential evils o...
The House of the Black Ring
"A reprint of a 1904 novel by Pennsylvania State College (now University) professor of English Fred Lewis Pattee, set in the 1890s in central Pennsylvania. Includes a preface by poet and essayist Julia Spicher Kasdorf and endnotes by Joshua R. Brown" --Provided by publisher.
The Cambridge Companion to Arthur Miller
Revised and updated to include Miller's late work and the key productions and criticism since the playwright's death in 2005.
The Aesthetics of Failure
Critic Clive Barnes once called Eugene O’Neill the “world’s worst great playwright” and Brooks Atkinson called him “a tragic dramatist with a great knack for old-fashioned melodrama.” These descriptions of the man can also be used to describe his work. Despite the fact that O’Neill is the only American playwright to win the Nobel Prize for Literature and his last works are some of America’s finest, most of his published works are not good. This work closely examines how O’Neill’s failures as a playwright are inspiring and how his disappointments are reflections of his own theory that tragedy requires failure, a theory that is evident in his work. Conflicts in O’Neill’s plays are studied at the structural level, with attention paid to genre, language or dialogue, characters, space and time elements, and action. Included is information about O’Neill’s life and a chronological listing of all of his 50 plays with basic details such as production history, principal characters, dramatic action, and a brief commentary.
Syphilis and Subjectivity
This book demystifies the cultural work of syphilis from the late nineteenth century to the present. By interrogating the motivations that engender habits of belief, thought, and conduct regarding the disease and notions of the self, this interdisciplinary volume investigates constructions of syphilis that had a significant role in shaping modern subjectivity. Chapters draw from a variety of scholarly methods, such as cultural and literary studies, sociology, and anthropology. Authors unravel the representations and influence of syphilis in various cultural forms: cartography, medical writings, literature, historical periodicals, and contemporary popular discourses such as internet forums and electronic news media. Exploring the ways syphilitic rhetoric responds to, generates, or threatens social systems and cultural capital offers a method by which we can better understand the geographies of blame that are central to the conceptual heritage of the disease. This unique volume will appeal to students and scholars in the medical humanities, medical sociology, the history of medicine, and Victorian and modernist studies.
Struggle, Defeat or Rebirth
To Eugene O'Neill, the links between man and his surroundings were of prime importance. His characters struggled with existential problems, and how they related to them reveals much about O'Neill's own humanity. For the most part, the characters defeat their problems and in doing so are "reborn" in some manner. This work examines the 49 plays that O'Neill completed, focusing on his attempt to find an inner truth in his characters. Part One explores the family, showing how a person is trapped by heredity, space, time and communal hierarchy. Part Two deals with the individual and society, showing how societal conventions confined the characters. In Part Three, personal freedom is the centerpiece, showing how the characters develop a specific approach to life that leads to a coherent vision of the characters' relationships with the world around them.
Gentry Rhetoric
Gentry Rhetoric examines the full range of influences on the Elizabethan and Jacobean genteel classes’ practice of English rhetoric in daily life. Daniel Ellis surveys how the gentry of late sixteenth- and early seventeenth-century Norfolk wrote to and negotiated with each other by employing Renaissance humanist rhetoric, both to solidify their identity and authority in resisting absolutism and authoritarianism, and to transform the political and social state. The rhetorical training that formed the basis of their formal education was one obvious influence. Yet to focus on this training exclusively allows only a limited understanding of the way this class developed the strategies that enab...
Witchcraft Myths in American Culture
"Witchcraft Myths in American Culture is the only account of witchcraft in America that mixes the study of popular culture with the reading of traditional historical texts on the subject. From the Salem witch trials to modern day Wicca; from Buffy the Vampire Slayer to the Harry Potter phenomenon and beyond, Gibson's engaging and accessible approach provides new energy and perspective on classical and contemporary witchcraft history, portrayal, and mythos. This fresh viewpoint coupled with a careful examination of the meaning of witchcraft to the evolution of women's rights and empowerment, makes this book essential in understanding the role witchcraft has played in American social and cultural history.".
Arthur Miller, New Edition
Chronicles the life and works of Arthur Miller.
