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The Drama's Patrons
The drama's laws, the drama's patrons give, For we that live to please, must please to live. —Samuel Johnson, 1747 Democratic ferment, responsible for political explosions in the seventeenth century and expanded power in the eighteenth, affected all phases of English life. The theatre reflected these forces in the content of the plays of the period and in an increased awareness among playgoers that the theatre "must please to live." Drawing from a wealth of amusing and informative contemporary accounts, Leo Hughes presents abundant evidence that the theatre-going public proved zealous, and sometimes even unruly, in asserting its role and rights. He describes numerous species of individual ...
Uvedale Price (1747-1829)
The first biography of the 18th-century landscape gardener, Uvedale Price, showing the key interconnections between his roles as landowner, art collector, forester, landscaper, connoisseur and scholar. Uvedale Price achieved most fame as the author of the influential Essay on the Picturesque of 1794 in which he argued that the work of the greatest landscape artists, such as Salvator Rosa, Rubens and Claude, should be usedas models for the "improvement of real landscape". His attack on the smooth certainties of Capability Brown sparked off a public controversy, drawing in Richard Payne Knight and Humphry Repton, which became a cause célèbre. This is the first biography of Uvedale Price, bri...
The Culture of Epistolarity
This book is an extensive investigation of letters and letter writing across two centuries, focusing on the sociocultural function and meaning of epistolary writing - letters that were circulated, were intended to circulate, or were perceived to circulate within the culture of epistolarity in early modern England. The study examines how the letter functioned in a variety of social contexts, yet also assesses what the letter meant as idea to early modern letter writers, investigating letters in both manuscript and print contexts. It begins with an overview of the culture of epistolarity, examines the material components of letter exchange, investigates how emotion was persuasively textualized in the letter, considers the transmission of news and intelligence, and examines the publication of letters as propaganda and as collections of moral-didactic, personal, and state letters. Gary Schneider is an Assistant Professor in the Department of English at the University of Texas-Pan American.
Catholicism, Identity and Politics in the Age of Enlightenment
Explores the changing aspirations, attitudes and identities of English Catholics in the late eighteenth century This book explores the changing aspirations, attitudes and identities of English Catholics in the late eighteenth century, a period which marked a critical moment of transition in their spiritual, political and intellectual culture. It is based on the experiences of the English Catholic baronet, Grand Tourist and politician Sir Thomas Gascoigne (1745-1810). Gascoigne was born on the Continent into a devout Catholic family based in Yorkshire; however, following an unusual Continental upbringing and extensive series of Grand Tours to the courts of Catholic Europe, he would abjure his...
Georgian Gothic
Conclusion -- Appendix -- Bibliography -- Glossary -- Index
Space and the Eighteenth-Century English Novel
In this challenging and illustrated study, first published in 1990, Simon Varey relates the idea of space in the major novels of Defoe, Fielding and Richardson to its use in the theory and practice of eighteenth-century architecture. Concepts of divine design, expressed in the work of philosophers and theologians, introduced an ideological element to the notion of space which gave it a heightened significance in contemporary thought. Professor Varey's central argument is that space becomes a political instrument used to establish conformity, assert power and give form to the aspirations of social classes. He draws on a wide range of architectural books, both English and European, and on the example of Bath (focusing in particular on its chief architect in the eighteenth century, John Wood). The discussion of novels such as Robinson Crusoe, Tom Jones and Clarissa examines narrative as a form of spatial design, the use of architectural imagery to describe people, and the political control of social space.
Prophecy, Politics and the People in Early Modern England
Thornton also sheds light on areas where popular culture and politics were uneasily interlinked: the powerful political influence of those outside elite groups; the variations in political culture across the country; and the considerable continuing power of mystical, supernatural, and 'non-rational' ideas in British social and political life into the nineteenth century."--Jacket.
The Case of Opposition Stated, Between the Craftsman and the People
Simon Varey's edition of William Arnall's Case of Opposition Stated (1732) stands to enrich the ongoing discussion of politics and propaganda in the British paper wars of the 1720s and 1730s. The pamphlet, funded by Sir Robert Walpole's administration, attempted to undermine the credibility of the opposition spearheaded by Viscount Bolingbroke and William Pulteney. Arnall's point-by-point rebuttal of a recent number of Bolingbroke and Pulteney's newspaper, the Craftsman, had a particular urgency about it: the Craftsman's printer had recently been convicted for seditious libel, and the Craftsman was reveling in the publicity, selling more copies as it intensified its attacks on Walpole and George II. Arnall's blistering polemic constituted the administration's most forceful attempt to turn the debate against the opposition. The edition includes a scholarly introduction and notes as well as transcriptions of several numbers of the Craftsman and sections of Dr. Varey's previously unpublished manuscript on the Craftsman. The late Dr. Varey published widely on eighteenth-century subjects.
