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A true story of obsessive love turning to obsessive hate, Give Me Everything You Have chronicles the author’s strange and harrowing ordeal at the hands of a former student, a self-styled ‘verbal terrorist’, who began trying, in her words, to ‘ruin him’. Hate-mail – much of it violently anti-Semitic – online postings and public accusations of theft and sexual misconduct, have been her weapons of choice, and, as with more conventional terrorist weapons, have proved remarkably difficult to combat. James Lasdun’s account, while terrifying, is told with compassion and humour, and brilliantly succeeds in turning a highly personal story into a profound meditation on subjects as varied as madness, race, Middle-Eastern politics, and the meaning of honour and reputation in the internet age.
**SHORTLISTED FOR THE RATHBONES FOLIO PRIZE 2020** Two timely novellas exploring male sexual violence, power and corruption ‘Victory makes a convincing case for James Lasdun as one of the most incisive investigators of the human heart writing in English today... An instant masterpiece’ Johanna Thomas-Corr, Observer Love and hate, desire and guilt, friendship and betrayal – these are the coordinates that drive James Lasdun’s two intensely gripping, darkly comic novellas of men and women caught between their irrational passions and the urge for control. In Feathered Glory the seemingly happy marriage of a school principal and his artist wife reveals dangerous fault-lines as an old lover reappears in the husband’s life. The past also haunts the present in Afternoon of a Faun, where an accusation of historic sexual assault plunges Marco Rosedale, an English journalist in New York, into a series of deepening crises. Together these stories offer a sharply observed vision that will resonate with anyone interested in the clash of power and desire in our embattled contemporary lives.
Taut, stylish, and psychologically acute, Afternoon of a Faun dramatizes the search for truth as an accusation of sexual assault plunges a journalist into a series of deepening crises. "The truth might be hard to bring to light, but that didn’t mean it didn’t exist, because it did exist: fixed in its moment, unalterable, and certainly not a matter of ‘belief.’ " When an old flame accuses him of sexual assault in her memoir, expat English journalist Marco Rosedale is brought rapidly and inexorably to the brink of ruin. His reputation and livelihood at stake, Marco confides in a close friend, who finds himself caught between the obligations of friendship and an increasingly urgent desi...
Charlie, a wealthy banker with an uneasy conscience, invites his troubled cousin Matthew to visit him and his wife in their idyllic mountain-top house over the summer. As the days grow hotter, the friendship between the three begins to reveal its fault lines. When a fourth person arrives, the household finds itself suddenly in the grip of uncontrollable passions. Who is the real victim? Who is the perpetrator? And who, ultimately, is the fall guy?
“Superb. . . . Every page of this narration bears examples of Lasdun’s own poetic mastery. . . . Shockingly vivid.”—Time Out Part political thriller, part meditation on the nature of desire and betrayal, Seven Lies tells the story of Stefan Vogel, a young East German, whose yearnings for love, glory, and freedom express themselves in a lifelong fantasy of going to America. By a series of increasingly dangerous maneuvers, he makes this fantasy come true, his past seemingly locked behind the Berlin Wall and a new life of unbounded bliss ahead of him. But then his world begins to fall apart.
In sharply evoked settings that range from the wilds of Northern Greece to the beaches of Cape Cod, these intensely dramatic tales chart the metamorphoses of their characters as they fall prey to the gamut of human passions. The lives in them seethe with love, hate, desire, fear, tender corruption and cruel idealism. They rise to unexpected heights of decency, stumble into comic or tragic folly, they throw themselves open to lust, longing, paranoia - but they are always recognisably, illuminatingly, our lives. Winner of the BBC National Short Story Award.
James Lasdun's third book of poems explores the themes and tensions of his last two with a new boldness and exuberance, in a series of poems about life in the Catskill mountains outside Woodstock, where the author moved with his family some years ago. Questions of exile and belonging, cutting ties and forming new bonds, figure prominently, as does the struggle to find a viable relationship with the natural world of the mountain wilderness - at once a stunning companion and a ferocious competitor. Out of this - 'the need to carve out a niche for ourselves;/our singular relation to what we love' - rises the book's central image: the chainsaw. Very much a real machine (given to the alarmed poet...
Zeven korte verhalen waarin de hoofdpersoon op zoek is naar kennis omtrent zichzelf en de motivatie van zijn handelen.
This collection combines stories from his previous books THE SILVER AGE and THREE EVENINGS. In these stories James Lasdun views greed and excess from illuminating angles and the impulse of those who own too much to dispossess themselves. He examines the callousness by which adults lose influence over children and the instinctive tactics devised by children for gaining power over adults. He calls corruption, in its ingenious guises, to account while acknowledging the perverse fascination of human foibles. Each story casts a curious spell, in which objects and the natural world are tinged with an aura of the magical. A sensuous lyricism of prose governed by a witty and subtle intelligence brings these stories their very special flavour.
Ovid's Metamorphoses is one of the great works in classical literature, and a primary source for our knowledge of much of classic mythology, in which the relentless theme of transformation stands as a primary metaphor for the often cataclysmic dynamics of life itself. For this book, British poets Michael Hofmann and James Lasdun have invited more than forty leading English-language poets to create their own idiomatic contemporary versions of some of the most famous and notorious myths from the Metamorphoses. Apollo and Daphne, Pyramus and Thisbe, Proserpina, Marsyas, Medea, Baucis and Philemon, Orpheus and Eurydice--these and many other immortal tales are given fresh and startling life in exciting new versions. The contributors--among them Fleur Adcock, Amy Clampitt, Jorie Graham, Thom Gunn, Seamus Heaney, Ted Hughes, Lawrence Joseph, Kenneth Koch, Michael Longley, Paul Muldoon, Les Murray, Robert Pinsky, Frederick Seidel, Charles Simic, and C. K. Williams--constitute an impressive roster of today's major poets. After Ovid is a powerful re-envisioning of a fundamental work of literature as well as a remarkable affirmation of the current state of poetry in English.