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This is a startling window into the education of American doctors in the late 19th and early 20th centuries-on both a visceral level and for its revealing cultural record. Cringe-worthy shots of medical students-bare-handed gentlemen and a few ladies in street clothes show off their scalpels, saws and textbooks-while their cadavers, mostly poor and black, are awkwardly posed, and exposed. In one stunning shot, a black woman looks out from behind the young students. "What are we to make of an African-American woman, standing, broom handle in hand, behind the dissection table, her gaze fixed on the camera?" the authors ask. More importantly, they conclude, the photo is now drawn "out of the sh...
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Historians have examined the development of surgical techniques and of the surgical profession itself, but have paid scant attention to the tools that made surgery. Surgeon and historian Kirkup (honorary curator, Royal College of Surgeons, UK) demonstrates how surgical instruments as sophisticated as ultrasound or lasers began as teeth, mouth, fists, fingernails, and fingers. Far from being a compendium drawn from instrument catalogs, this volume is a masterpiece of scholarship. The instruments are situated in the surgical theory and practice of their times. Kirkup's skill and devotion in his presentation and description raise the work from a register to a natural history of the instruments. (The only caveat is that some pictures are not for the squeamish.) An extensive bibliography and an excellent index add to the book's value.
This volume addresses the interdependencies between visual technologies and epistemology with regard to our perception of the medical body. It explores the relationships between the imagination, the body, and concrete forms of visual representations: Ranging from the Renaissance paradigm of anatomy, to Foucault’s “birth of the clinic” and the institutionalised construction of a “medical gaze”; from “visual” archives of madness, psychiatric art collections, the politicisation and economisation of the body, to the post-human in mass media representations. Contributions to this volume investigate medical bodies as historical, technological, and political constructs, constituted where knowledge formation and visual cultures intersect. Contributors are: Axel Fliethmann, Michael Hau, Birgit Lang, Carolyn Lau, Heikki Lempa, stef lenk, Joanna Madloch, Barry Murnane, Jill Redner, Claudia Stein, Elizabeth Stephens, Corinna Wagner, and Christiane Weller.
Chirurgie / Instrumente.