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A unified description of the theory and practice of radio interferometry and synthesis mapping techniques as they apply to astronomy and geology. Beginning with an historical review, it goes on to provide a detailed description of all aspects of radio inferometry, from basic principles through instrumental design to data reduction. Over 450 original papers and monographs are cited.
From its recording of family events to its influence on filmmaking, home video defies easy categorization and demands serious consideration. In There's No Place Like Home Video, James Moran takes on this neglected aspect of popular culture. He offers a history of amateur home video, exploring its technological and ideological predecessors, the development of event videography, and its symbiotic relationship with television and film. He also investigates the broader field of video, taking on the question of medium specificity: the attempt to define its unique identity, to capture what constitutes its pure practice. Rather than look for a grand narrative to define its specificity, Moran places video and home video at the intersections of multiple forms of communication. Book jacket.
In this second edition of Interferometry and Synthesis in Radio Astronomy, three leading figures in the development of large imaging arrays, including very-long-baseline interferometry (VLBI), describe and explain the technology that provides images of the universe with an angular resolution as fine as 1/20,000 of an arcsecond. This comprehensive volume begins with a historical review followed by detailed coverage of the theory of interferometry and synthesis imaging, analysis of interferometer response, geometrical relationships, polarimetry, antennas, and arrays. Discussion of the receiving system continues with analysis of the response to signals and noise, analog design requirements, and...
Unlike other studies, Committed to the State Asylum shows the important role that the community played in shaping the asylum and tackles the thorny issue of state development, explaining how state asylums developed differently in each province. He considers Canada?s pioneering institutional efforts at dealing with the criminally insane and why those efforts lasted only a short time, shedding new light on the debate about the nature and extent of state involvement in nineteenth-century Canadian society. Committed to the State Asylum offers new insights into the ways in which both ordinary families and the state understood and responded to those they thought had crossed the boundaries of sane behaviour.
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"My masters will follow the example of Rome... our mighty empire bestraddling the whole of civilization!" It is AD 79, and the TARDIS lands in Pompeii on the eve of the town's destruction. Mount Vesuvius is ready to erupt and bury its surroundings in molten lava, just as history dictates. Or is it? The Doctor and Donna find that Pompeii is home to impossible things: circuits made of stone, soothsayers who read minds and fiery giants made of burning rock. From a lair deep in the volcano, these creatures plot the end of humanity - and the Doctor soon finds he has no way to win...
The ’punitive turn’ has brought about new ways of thinking about geography and the state, and has highlighted spaces of incarceration as a new terrain for exploration by geographers. Carceral geography offers a geographical perspective on incarceration, and this volume accordingly tracks the ideas, practices and engagements that have shaped the development of this new and vibrant subdiscipline, and scopes out future research directions. By conveying a sense of the debates, directions, and threads within the field of carceral geography, it traces the inner workings of this dynamic field, its synergies with criminology and prison sociology, and its likely future trajectories. Synthesizing existing work in carceral geography, and exploring the future directions it might take, the book develops a notion of the ’carceral’ as spatial, emplaced, mobile, embodied and affective.