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Introducing the eagerly awaited new edition of our beloved book, now presented in a bigger, bolder format. This enhanced release seamlessly blends the cherished content of the original edition with an array of compelling new works, creating a captivating literary experience. The larger format not only provides a visually striking presentation but also offers a more immersive reading experience for both long time enthusiasts and newcomers alike. Dive into the pages of this expanded edition, where familiar favorites intertwine with fresh perspectives, resulting in a dynamic collection that promises to captivate and inspire. James Midwinter's work isn't necessarily about the act of surfing, but...
James Midwinter's work isn't necessarily about the act of surfing, but the time and space around it. It seeks to suggest rather than dictate. Midwinter attempts to conjure a sense of place and evoke an individual response. The viewer is invited to submit to the scene and step away from the distractions of modern life - observe, breath in and imagine themselves in this space, enveloped by the sounds of the rolling sea or the cool stillness. Midwinter's work aims to show us that surfing is a way to intensely be at one with nature and the book is a reflection of this philosophy, a communion with nature, often free from other aspects of human life. Waiting for a wave is a meditation.
This is a valuable resourse book through the Bible, explaining many customs practiced in Bible times. Not only is it easy to understand, but it is also filled with many helpful illustrations.
A Guardian / Sunday Times / Irish Times / Herald Scotland / Mail on Sunday Book of the Year Winner of the Bord Gáis Novel of the Year ‘Midwinter Break is a work of extraordinary emotional precision and sympathy, about coming to terms – to an honest reckoning – with love and the loss of love, with memory and pain...this is a novel of great ambition by an artist at the height of his powers’ Colm Tóibín A retired couple, Gerry and Stella Gilmore, fly to Amsterdam for a midwinter break. A holiday to refresh the senses, to see the sights and to generally take stock of what remains of their lives. But amongst the wintry streets and icy canals we see their relationship fracturing beneath the surface. And when memories re-emerge of a troubled time in their native Ireland things begin to fall apart. As their midwinter break comes to an end, we understand how far apart they are – and can only watch as they struggle to save themselves.
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Perhaps Bernadette Mayer's greatest work, Midwinter Day was written on December 22, 1978, at 100 Main Street, in Lenox, Massachusetts. "Midwinter Day", as Alice Notley notes, "is an epic poem about a daily routine". In six parts, Midwinter Day takes us from awakening and emerging from dreams through the whole day -- morning, afternoon, evening, night -- to dreams again: "a plain introduction to modes of love and reason, / Then to end I guess with love, a method to this winter season / Now I've said this love it's all I can remember / Of Midwinter Day the twenty-second of December".
Framed by her most famous poems ‘In the Bleak Midwinter’ and ‘Love Came Down at Christmas’, this daily devotional explores Advent and Christmas through the poetry of Christina Rossetti. For each day there is a poem with a reflection that draws on Rossetti’s writings, encompassing a rich variety of themes:
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