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This collection brings together essays written over a thirty-five year period. They reflect James Gibbs's position vis-à-vis the Ghanaian theatre as sometimes a remote onlooker, sometimes an enthusiastic participant observer, deeply involved in issues of perception and influence in a society moving through colonialism to nationalism, independence and beyond. The main body of the book is divided into four sections. The first, “Outsiders and Activists,” looks at theatre for community development during the late 1940s, some connections between drama and film, and the astonishing involvement in Ghanaian performance culture of the Haitian poet and playwright Felix Morisseau–Leroy. The seco...
Includes the playscript of Toufann by Dev Virahsawmy, an English version of his Mauritian Creole interpretation of The Tempest.
Bernth Lindfors, Ira Aldridge: The Last Years, 1855-1867 -- Paul Schauert, Staging Ghana: Artistry & nationalism in state dance ensembles -- Maëline Le Lay, 'La parole construit le pays': Théâtre, langues et didactisme au Katanga (République Démocratique du Congo) -- Benita Brown, Dannabang Kuwabong & Christopher Olsen, Myth Performance in the African Diasporas: Ritual, theater, and dance -- S.A. Kafewo, T.J. Iorapuu & E.S. Dandaura (eds), Theatre Unbound: Reflections on Theatre for Development and Social Change - A festschrift in honour of Oga Steve Abah -- Hakeem Bello, The Interpreters: Ritual, Violence and Social Regeneration in the Writing of Wole Soyinka -- Five plays: Ekpe Inyang, The Swamps -- Augustine Brempong, The King's Wages -- Denja Abdullahi, Death and the King's Grey Hair and Other Plays -- Books received and noted
First title in the African Theatre series with accounts of Theatre for Development workshops and critical discussions of the theme which continues to be a major area of endeavour in African theatre. North America: Indiana University Press
Distinguished scholars analyze the plays, poetry, and prose of Wole Smoyinka, winner of the Nobel Prize for literature in 1986. Essays trace his career and place his work in the general context of African literature.
Collecting and promoting art was at the heart of John Gibbs' life although his friends and colleagues knew little of the extent of his activities, and the wider art world knew even less. He and his wife Sheila challenged our concept of collecting, acquiring works for public and educational institutions as well as for their own family, including the youngest children. This book reveals for the first time how they created one of the first confident collections of contemporary Welsh art, and demonstrated the value of modern art in Christian faith. The collections they created include works by Ceri Richards, Lucian Freud and Paul Nash, all acquired to help us appreciate the power of art.
Includes interviews with: Kofi Anyidoho, Kofi Awoonor, Mohammed Ben Abdallah, Chinua Achebe, Odia Ofeimun, Ben Okri, Wole Soyinka, Micere Githae Mugo, Ngugi wa Thiong'o, Mazisi Kunene, Njabulo Ndebele, Essop Patel, Mongane Wally Serote, Tsitsi Dangarembga, Masaemura Zimunya
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