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The examination of human hairs in the forensic science setting is a highly specialist forensic discipline. To date the topic has not been covered in a single volume in which all aspects of hair examination are brought together. In this volume an international group of authors have dealt with all aspects of the examination of human hair. The volume opens with the basic foundation accidence covering the physiology, growth and structure of hair. Forensic specific aspects of hair structure are then dealt with and a protocol for examination is presented. The remaining chapters deal with non microscopy approaches to hair examination covering historical and contemporary knowledge. These chapters include biochemical approaches to hair examination,
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A son of the manse, Mack has grown up in an austere and chilly house, dominated by a joyless father. Unable to believe in God, he is far more attracted by the forbidden allure of television and popular culture. Father and son clash traumatically one day and it may be guilt which drives Mack to take up a career in the Church. This minister, who doesn't believe in God, the Devil or an afterlife, one day discovers a stone standing in the middle of a wood where previously there had been none. Unsure what to make of this apparition, Mack's life begins to unravel dramatically until the moment when he is swept into a mountain stream, which pours down a chasm before disappearing underground. Miraculously Mack emerges three days later, battered but alive. He seems to have lost his mind however, since he claims that while underground he met the Devil. Written with tight pacing, superlative storytelling and immense imaginative power, this is Robertson's most ambitious and accessible novel to date.
It is the age of the bomb, the Cold War, Margaret Thatcher and North Sea Oil. As nationalism becomes a credible force in Scotland, a gay photographer, a feminist journalist, a war veteran and a guilt-ridden Conservative MP find their private lives entangled with the ideological conflicts of the times.
This biography of James Roberston Justice celebrates the secret life and glittering career of one of British cinema's finest and most recognisable screen personalities. James Robertson Justice made a treasure chest of classic British movies. He is best remembered as the bombastic Sir Lancelot Spratt in Doctor in the House (1954), but also starred in many wonderful films, both comedies and drama, often portrayed as a domineering (if frequently soft-centred) ogre. This book unravels for the first time, through detailed research and original interviews with those close to him, the myriad complexities of one of Britain's finest actors. The book is fully illustrated with many rare photos. A must buy for fans of classic British films. The book features a foreword by Prince Philip.
‘A book of such quality as to persuade you that historical novels are the true business of the writer.’ Daily Telegraph
Exposing the Big Game challenges the archaic, yet officially endorsed, viewpoint that the primary value of wildlife in America is to provide cheap entertainment for anyone with a gun and an unwholesome urge to kill. Portraits and portrayals of tolerant bears, loquacious prairie dogs, temperamental wolves, high-spirited ravens and benevolent bison will leave readers with a deeper appreciation of our fellow beings as sovereign individuals, each with their own unique personalities. Above all, this book is a condemnation of violence against animals, both historic and ongoing. It explores the true, sinister motives behind hunting and trapping, dispelling the myths that sportsmen use to justify their brutal acts. Exposing the Big Game takes on hunting and defends the animals with equal passion, while urging us to expand our circle of compassion and reexamine our stance on killing for sport. ,
WINNER OF THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION 'To tell the story of a country or a continent is surely a great and complex undertaking; but the story of a quiet, unnoticed place where there are few people, fewer memories and almost no reliable records - a place such as Glen Conach - may actually be harder to piece together. The hazier everything becomes, the more whatever facts there are become entangled with myth and legend. . .' Deep in the mountains of north-east Scotland lies Glen Conach, a place of secrets and memories, fable and history. In particular, it holds the stories of three different eras, separated by centuries yet linked by location, by an ancient manuscript and by ...
Michael Curtiz (1888-1962) was without doubt one of the most important directors in film history, yet he has never been granted his deserved recognition and no full-scale work on him has previously been published. The Casablanca Man surveys Curtiz' unequalled mastery over a variety of genres which included biography, comedy, horror, melodrama, musicals, swashbucklers and westerns, and looks at his relationship with the Hollywood studio moguls on the basis of unprecedented archive research at Warner Brothers. Concentrating on Curtiz' best-known films - Casablanca, Angels With Dirty Faces, Mildred Pearce and Captain Blood among them - Robertson explores Curtiz' practical creative struggles and his friendships and rivalries with other film celebrities including Errol Flynn, Bette Davis and James Cagney, and his discovery of future stars. Casablanca Man is the first comprehensive critical exploration of Curtiz' entire career and, linking his European work and his subsequent American work into a coherent whole, Robertson firmly re-establishes Curtiz' true standing in the history of cinema.
How does film censorship work in Britain? Robertson examines the history of the British Board of Film Censors and shows that censorship has had a greater influence on film history than is often assumed.