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A beautifully illustrated and designed book of the important Pop artist’s previously unpublished working studies This book sheds new light on the fascinating working processes of American Pop artist James Rosenquist. Using the techniques of billboard painting and the visual language of advertising, Rosenquist’s paintings explore consumer culture, politics, war, and other themes through startling juxtapositions of powerful imagery, including of cars, women, celebrities, food, appliances, a fighter jet, and the mushroom cloud of an atomic bomb. James Rosenquist: Collages, Drawings, and Paintings in Process presents previously unpublished preparatory work by the artist—quick sketches to capture ideas, detailed studies, color keys, source materials, and photographs—alongside the iconic paintings that resulted.
From James Rosenquist, one of our most iconic pop artists—along with Andy Warhol, Jim Dine, Claes Oldenburg, and Roy Lichtenstein—comes this candid and fascinating memoir. Unlike these artists, Rosenquist often works in three-dimensional forms, with highly dramatic shifts in scale and a far more complex palette, including grisaille and Day-Glo colors. A skilled traditional painter, he avoided the stencils and silk screens of Warhol and Lichtenstein. His vast canvases full of brilliant, surreally juxtaposed images would influence both many of his contemporaries and younger generations, as well as revolutionize twentieth-century painting. Ronsequist writes about growing up in a tight-knit ...
In 2003, the Solomon R. Guggenheim Museum mounted a major retrospective of James Rosenquist's works, which traveled to the Menil Collection, Museum of Fine Arts in Houston, and Guggenheim Museum Bilbao. Since the late 1950s, James Rosenquist has been creating an exceptional and consistently intriguing body of work. In the 1960s, following his early days as a billboard painter in the Midwest and New York City, he gained fame as one of the leaders of the American Pop art movement. Along with contemporaries Jim Dine, Roy Lichtenstein, Claes Oldenburg, and Andy Warhol, Rosenquist drew on the iconography of advertising and mass media to conjure a sense of modern life. Rosenquist's paintings direc...
"This is the social history of art at its best."--Alex Potts, author of The Sculptural Imagination: Figurative, Modernist, Minimalist "James Rosenquist: Pop Art, Politics, and History in the 1960s provides a new perspective on the work of Rosenquist, a key but neglected artist of the Pop Art movement. Michael Lobel, who bases his study on detailed contextual research as well as close visual analysis, highlights the themes of obsolescence, novelty, and ephemera in Rosenquist's images and effectively relates the artist's interests to broader questions of consumer culture and urban planning in 1960s New York. Clearly written and thoroughly engaging, this book makes a significant contribution to our understanding of the artist and of Pop Art."--Cecile Whiting, author of Pop L.A.
A monograph on the great Pop Art master, James Rosenquist, this book shows how the artist's large-scale works and their source materials remain powerful and relevant as cultural and political commentary. With a background in advertising and painting billboards, James Rosenquist had a unique perspective on the dual effects of imagery and scale on the viewing experience. His colossal pieces are immersive--they surround the viewer and dominate most gallery spaces. In this volume readers can examine his process of creating image-laden abstractions through his source materials. Rosenquist often started with images he'd literally ripped from the pages of print media and which he then transformed i...
Essays. Connoisseur of the inexplicable / Walter Hopps -- James Rosenquist : collage and the painting of modern life / Julia Blaut -- Off the continental divide and other risky journeys / Ruth E. Fine -- Painting and sculpture : with texts on selected themes. Anonymity, celebrity, and self-promotion / Sarah Bancroft -- Modern issues and current events / Sarah Bancroft -- Rooms with a view : walk-in paintings / Chris Balsiger -- Flora and Florida : "crosshatched" paintings / Michelle Harewood -- Space and scientific phenomena / Sarah Bancroft -- An astronomer observes and feels James Rosenquist's art / Eugene E. Epstein -- Source collages -- Drawings -- Graphics and multiples -- Documentation. Chronology -- Exhibition history / compiled by Sarah Bancroft with Janice Yang -- Selected bibliography / compiled by Sarah Bancroft with Janice Yang.
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Raised in the Midwest, James Rosenquist (born 1933) worked as a billboard painter before rising to fame in the 1960s as a leading figure of the Pop art movement alongside contemporaries Andy Warhol, Roy Lichtenstein and Claes Oldenburg. Drawing on his experience as a billboard painter, Rosenquist's work plays on the iconography and style of advertising and mass media to create distinctive compositions that explore the culture of capitalism. James Rosenquist: Four Decades, published to accompany an exhibition at Galerie Thaddaeus Ropac, offers a selective survey of the artist's work since the 1970s, touching on themes as multifaceted as aesthetics, geopolitics, technology, ecology, outer space and time travel. A selection of the artist's rarely seen collages of source material is also included in this volume, offering a glimpse into the thought process behind Rosenquist's meticulously finished paintings.