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Rethinking Religion in the Theatre of Grotowski
This book opens a new interdisciplinary frontier between religion and theatre studies to illuminate what has been seen as the religious or spiritual nature of Polish theatre director Jerzy Grotowski’s work.The central argument is that through an embodied, materialist approach to religion, and through a critical reading of the concepts of the New Age, a new understanding of Grotowski and religion can be developed. This is a vital reference for academics in both Religion and Theatre Studies that have an interest in the spiritual aspects of Grotowski’s work.
The Unwritten Grotowski
This book gives a new view on the legacy of Jerzy Grotowski (1933-1999), one of the central, and yet misunderstood, figures who shaped 20th-century theatre, focusing on his least known last phase of work on ancient songs and the craft of the performer. Salata posits Grotowski’s work as philosophical practice, and more particularly, as practical research in the phenomenology of being, arguing that Grotowski’s departure from theatrical productions (and thus critical consideration) resulted from his uncompromising pursuit of one central problem, "What does it mean to reveal oneself?" — the very question that drove his stage directing work. The book demonstrates that the answer led him thr...
Bertolt Brecht
Routledge Performance Practitioners is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance. Bertolt Brecht is amongst the world’s most profound contributors to the theory and practice of theatre. His methods of collective experimentation and his unique framing of the theatrical event as a forum for aesthetic and political change continue to have a significant impact on the work of performance practitioners, critics and teachers alike. This is the first book to combine: an overview of the key periods in Brecht's life and work a clea...
Grotowski's Objective Drama Research
In this study of Grotowski's Objective Drama Research one of his students details the practical, performing structures that originated in his workshops. In bringing attention to the recent work of this titan theorist and director, this volume is of great importance to performers, directors, and all who are interested in the history of theatre and performance.
Robert Lepage
Routledge Performance Practitioners is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance. Robert Lepage is one of Canada’s foremost playwrights and directors. His company, Ex Machina, has toured to international acclaim and he has lent his talents to areas as diverse as opera, concert tours, acting, and installation art. His most celebrated work blends acute personal narratives with bold global themes. This is the first book to combine: an overview of the key phases in Lepage’s life and career an examination of the issues and questions pertinent to his work a discussion of The Dragons’ Trilogy as a paradigm of his working methods a variety of practical exercises designed to give an insight into Lepage’s creative process. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.
Research Beyond Borders
This collection draws insights from an interdisciplinary group of scholars who specialize in diverse methods ranging from ethnography, archival research, and oral histories, to quantitative data analysis and experiments used in the social sciences and humanities to reflect on the empirical, methodological, and practical implications of conducting research beyond one’s national borders. The goal of this book is to help researchers contemplate existing orientations that dominate current research processes and consider the need for transnational multidisciplinary practices that remain aware of the inequalities which continually inform research practices. With this focus, this collection is also a resourceful initiative that seeks to share experiences as well as extract key ideas and approaches likely to overlap or resonate in different disciplines.
Jatinder Verma
Jatinder Verma has been a pioneering figure in the development of British South Asian theatre, and a prominent spokesperson for the importance of increased diversity amongst playwrights, actors, directors, designers, and producers on the mainstream British stage. As co-founder and former Artistic Director of Tara Arts, he developed a new aesthetic style known as 'Binglish' which creates a hybrid dramaturgy of languages, training and performance forms, and styles of acting, and design, that operates to establish a negotiation between cultures which reflects contemporary Britain. Verma is acknowledged as being a leading practitioner and director, as well as writer about theatre and culture, wh...
The Piscator Notebook
'Theater legend Malina has written one of the most interesting studies of the avant-garde theatrical movement published in the last several years.' – CHOICE Judith Malina and The Living Theatre have been icons of political theatre for over six decades. What few realise is that she originally studied under one of the giants of twentieth century culture, Erwin Piscator, in his Dramatic Workshop at The New School in New York. Piscator founded the Workshop after emigrating to New York, having collaborated with Brecht to create "epic theatre" in Germany. The Piscator Notebook documents Malina’s intensive and idiosyncratic training at Piscator’s school. Part diary, part theatrical treatise, ...
Mary Wigman
This book considers dancer, teacher, and choreographer Mary Wigman, a leading innovator in Expressionist dance whose radical explorations of movement and dance theory are credited with expanding the scope of dance as a theatrical art. Now reissued, this book combines: a full account of Wigman’s life and work an analysis of her key ideas detailed discussion of her aesthetic theories, including the use of space as an "invisible partner" and the transcendent nature of performance a commentary on her key works, including Hexentanz and The Seven Dances of Life an extensive collection of practical exercises designed to provide an understanding of Wigman’s choreographic principles and her uniquely immersive approach to dance. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.
Performance Studies
Richard Schechner is a pioneer of Performance Studies. A scholar, theatre director, editor, and playwright he is University Professor of Performance Studies at the Tisch School of the Arts at New York University and Editor of TDR: The Journal of Performance Studies. He is the author of Public Domain (1969), Environmental Theater (1973), The End of Humanism (1982), Performance Theory (2003, Routledge), Between Theater and Anthropology (1985), The Future of Ritual (1993, Routledge), and Over, Under, and Around: Essays on Performance and Culture (2004). His books have been translated into French, Spanish, Korean, Chinese, Japanese, Serbo-Croat, German, Italian, Hungarian, Bulgarian and Polish. He is the general editor of the Worlds of Performance series published by Routledge and the co-editor of the Enactments series published by Seagull Books. Sara Brady is Assistant Professor at Bronx Community College of the City University of New York (CUNY). She is author of Performance, Politics and the War on Terror (2012).
