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Solo in the New Order
In this brilliant ethnography of contemporary Java, James Siegel analyzes how language operates to organize and to order an Indonesian people. Despite the imposition of Suharto's New Order, the inhabitants of the city of Solo continue to adhere to their own complex ideas of deference and hierarchy through translation between high and low Javanese speech styles. Siegel uncovers moments when translation fails and compulsive mimicry ensues. His examination of communication and its failures also exposes the ways a culture reconstitutes itself. It leads to insights into the "accidents" that precede the formulations of culture as such.
Objects and Objections of Ethnography
"The major contribution of anthropology to both the intellectual and the political world has been to show the worthiness of attending to the peoples and cultures of the world while guarding their specific differences. Recently, however, the treatment of differences has been modified so that such differences are not considered an obstacle to understanding. The emphasis has been put on recognizing similarities. This tendency is aided by the more sophisticated (and standardized) methodology adopted in universities. These essays pose the work of a determined amateur against this trend. They concern partly Indonesia, where the author has worked since 1962, and partly other places he has resided."--Book jacket.
Fetish, Recognition, Revolution
This book concerns the role of language in the Indonesian revolution. James Siegel, an anthropologist with long experience in various parts of that country, traces the beginnings of the Indonesian revolution, which occurred from 1945 through 1949 and which ended Dutch colonial rule, to the last part of the nineteenth century. At that time, the peoples of the Dutch East Indies began to translate literature from most places in the world. Siegel discovers in that moment a force within communication more important than the specific messages it conveyed. The subsequent containment of this linguistic force he calls the "fetish of modernity," which, like other fetishes, was thought to be able to compel events. Here, the event is the recognition of the bearer of the fetish as a person of the modern world. The taming of this force in Indonesian nationalism and the continuation of its wild form in the revolution are the major subjects of the book. Its material is literature from Indonesian and Dutch as well as first-person accounts of the revolution.
Naming the Witch
Naming the Witch explores the recent series of witchcraft accusations and killings in East Java, which spread as the Suharto regime slipped into crisis and then fell. After many years of ethnographic work focusing on the origins and nature of violence in Indonesia, Siegel came to the conclusion that previous anthropological explanations of witchcraft and magic, mostly based on sociological conceptions but also including the work of E.E. Evans-Pritchard and Claude Lévi-Strauss, were simply inadequate to the task of providing a full understanding of the phenomena associated with sorcery, and particularly with the ideas of power connected with it. Previous explanations have tended to see witchcraft in simple opposition to modernism and modernity (enchantment vs. disenchantment). The author sees witchcraft as an effect of culture, when the latter is incapable of dealing with accident, death, and the fear of the disintegration of social and political relations. He shows how and why modernization and witchcraft can often be companions, as people strive to name what has hitherto been unnameable.
The Rope of God
The Acehnese, a Muslim people of Sumatra, fought Dutch attempts to colonize them for forty years. After its "pacification," Acehnese society evolved peacefully, yet nonetheless the Acehnese participated fully in the Indonesian revolution and in a rebellion against the Indonesian central government not long after. Based on field work done in the early 1960s, James Siegel's The Rope of God, traces the evolution in Islam, in the economy, and in the structure of the family to show how it was that Aceh mobilized itself as a society from the time of the colonial war to the emergence of the republic. At a time when this Indonesian society is once again in movement, this influential study has gained...
A New Criminal Type in Jakarta
In A New Criminal Type in Jakarta, James T. Siegel studies the dependence of Indonesia’s post-1965 government on the ubiquitous presence of what he calls criminality, an ensemble of imagined forces within its society that is poised to tear it apart. Siegel, a foremost authority on Indonesia, interprets Suharto’s New Order—in powerful contrast to Sukarno’s Old Order—and shows a cultural and political life in Jakarta controlled by a repressive regime that has created new ideas among its population about crime, ghosts, fear, and national identity. Examining the links between the concept of criminality and scandal, rumor, fear, and the state, Siegel analyzes daily life in Jakarta throu...
Fetish, Recognition, Revolution
This book concerns the role of language in the Indonesian revolution. James Siegel, an anthropologist with long experience in various parts of that country, traces the beginnings of the Indonesian revolution, which occurred from 1945 through 1949 and which ended Dutch colonial rule, to the last part of the nineteenth century. At that time, the peoples of the Dutch East Indies began to translate literature from most places in the world. Siegel discovers in that moment a force within communication more important than the specific messages it conveyed. The subsequent containment of this linguistic force he calls the "fetish of modernity," which, like other fetishes, was thought to be able to compel events. Here, the event is the recognition of the bearer of the fetish as a person of the modern world. The taming of this force in Indonesian nationalism and the continuation of its wild form in the revolution are the major subjects of the book. Its material is literature from Indonesian and Dutch as well as first-person accounts of the revolution.
Southeast Asia over Three Generations
In honor of Benedict Anderson's many years as a teacher and his profound contributions to the field of Southeast Asian studies, the editors have collected essays from a number of the many scholars who studied with him. These articles deal with the literature, politics, history, and culture of Southeast Asia, addressing Benedict Anderson's broad concerns.
Derailed
This New York Times bestselling novel “of a middle-class professional whose life goes incredibly, criminally awry is one of the most exciting thrillers in years” (Publishers Weekly, starred review). Stressed out and late for work, advertising executive Charles Schine is having a terrible morning—until he meets the seductive, mysterious Lucinda Harris on his morning train. Charles isn’t normally the sort to have an affair, but he’ll never forget his forbidden tryst with Lucinda. Because it’s about to destroy his life. When a sudden, brutal attack is compounded by blackmail, Charles has nowhere left to turn but the shadowy underworld of thugs, criminals and con artists. James Siegel’s acclaimed tale of murder, betrayal, and revenge is the basis for the film starring Jennifer Aniston and Clive Owen. “Riveting . . . spectacularly inventive . . . a shocker.” —Washington Post
Shadow and Sound
Atjeh was a kingdom in northern Sumatra which had a long history of rebellion and unrest. As a Mulim Sultanate from the sixteenth to the nineteenth century, Atjeh engaged in internal political struggle. Since the nineteenth century, Atjeh has been under Dutch, Japanese, or Indonesian control - domination to which the Atjeh never passively yielded. In Shadow and Sound James Siegel arges that the Atjehnese view of history, as expressed in the language of their epic poetry, is based not on the fixing of historical fact, but on a flow of words that is actually immune to the past. Siegel traces the Atjehnese treatment of history through two epics and a folktale. In his interpretation he goes beyo...
