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James and William Tassie. A Biographical and Critical Sketch with a Catalogue of Their Portrait Medallions of Modern Personages
  • Language: en
  • Pages: 240
Catalogue, Descriptive and Historical, of the National Gallery of Scotland
  • Language: en
  • Pages: 150

Catalogue, Descriptive and Historical, of the National Gallery of Scotland

  • Type: Book
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  • Published: 1868
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  • Publisher: Unknown

None

Scottish National Portraits
  • Language: en
  • Pages: 190

Scottish National Portraits

  • Type: Book
  • -
  • Published: 1884
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  • Publisher: Unknown

None

Catalogue, descriptive and historical, of the National Gallery of Scotland ... Ninth edition
  • Language: en
  • Pages: 112
Behold the Hero
  • Language: en
  • Pages: 332

Behold the Hero

  • Categories: Art

He argues that Wolfe became the embodiment of British patriotism and the superiority of the English way of life, and that the multitude of literary and visual works about Wolfe, which focus primarily on his death, were created in an environment in which legends of inspiring, politically persuasive heroics were much in demand.

The Magazine of Art
  • Language: en
  • Pages: 576

The Magazine of Art

  • Categories: Art
  • Type: Book
  • -
  • Published: 1894
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  • Publisher: Unknown

None

Dictionary of national biography, ed. by L. Stephen (and S. Lee). [With] Suppl. 3 vols.;Index and epitome [and] Errata
  • Language: en
  • Pages: 504
The Portfolio
  • Language: en
  • Pages: 368

The Portfolio

  • Categories: Art
  • Type: Book
  • -
  • Published: 1894
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  • Publisher: Unknown

None

The Iconography of Sir Isaac Newton to 1800
  • Language: en
  • Pages: 164

The Iconography of Sir Isaac Newton to 1800

  • Categories: Art

Catalogue and iconography of the extraordinary wealth of images of Sir Isaac Newton, both before and after his death. Sir Isaac Newton [1642-1727] is rare among figures of the past for the number of authentic paintings, engravings and images of him which survive. He was painted by some nine different artists in the latter part of his life, and after his death both portraits and sculptures continued to proliferate, the amazing demand for representations of his image demonstrating his immense fame. This iconography, lavishly illustrated in both colour and black and white, and involving the disciplines of History of Art and History of Science, catalogues 231 icons in two sections, and is thus an invaluable guide to the images. Part I contains 122 portraits and Part II 109 sculptures, about fifty of which were produced before his death, the rest from then until 1800.