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Richard McMurphy is back again with even more adventures to entertain and inspire us. Richard and his girlfriend Reggiena Fisch have broken up; they've done that before, but could this be the last time? Could this finally be the end of their crazy relationship? Who is the redheaded mermaid? What is her name? Is the mermaid pregnant or just curvy? What does Richard think of the mermaid? Is the mermaid Reggiena's rival for Richard's heart? What's that thing on the moon? What does it all mean?
Best friend to Lord Byron; famous throughout Europe and America as a poet, composer, singer, wit, and polemicist; Thomas Moore (1779-1852) was the embodiment of Romanticism. It is said he was often moved to tears by his own songs, and so were his audiences. Servants lined up behind closed doors to hear him; women swooned, wrote him notes in verse, and treasured locks of his hair. The first in a long line of Irish poet-performers who combined personal expression with a zeal for political and social reform, Moore formed a vital link between the old Gaelic bardic tradition -- nearly extinct in his day -- and the popular songs in English that fueled the flames of nationalism in early nineteenth century Ireland.Including Moore's lyrics to accompany the songs recorded here, James Flannery's book is part biography, part music history, and part history of a nation. It presents the story of Thomas Moore in the context of the Irish nationalist movement and explains the lasting influence the songs of Moore have had on the lives of countless millions of Irish emigrants, who found in them a symbolic link with their homeland.
After an attempted horse theft goes tragically wrong, sixteen-year-old Caleb Bentley is on the run with his mean-spirited older brother across the American Southwest at the turn of the twentieth century. Caleb’s moral compass and inner courage will be tested as they travel the harsh terrain and encounter those who have carved out a life there, for good or ill. Wealthy and bookish Randall Dawson, out of place in this rugged and violent country, is begrudgingly chasing after the Bentley brothers. With little sense of how to survive, much less how to take his revenge, Randall meets Charlotte, a woman experienced in the deadly ways of life in the West. Together they navigate the murky values of vigilante justice. Powerful and atmospheric, lyrical and fast-paced, All Things Left Wild is a coming-of-age for one man, a midlife odyssey for the other, and an illustration of the violence and corruption prevalent in our fast-expanding country. It artfully sketches the magnificence of the American West as mirrored in the human soul.
Outside of Milledgeville, Georgia, was the ClineOConnor farm, Andalusia. Seated on the veranda in a rocking chair overlooking the sloping hills was a badly crippled woman, slowly degenerating from lupus, living with a mother who loved her but was not on her wavelength, and living in a town largely unable to appreciate her at the time. She had a difficult hand to play. Her name is Flannery OConnor, and she always did her own thing. The truth is, Flannery was a complex and mysterious female writer who had a deep desire for mystery and privacy of self. So if there are things we do not know about her, so what? And if she would not eat eggs of chickens she personally knew, what of it? Should geni...
Wise Blood, Flannery O'Connor's first novel, is the story of Hazel Motes who, released from the armed services, returns to the evangelical Deep South. There he begins a private battle against the religiosity of the community and in particular against Asa Hawkes, the 'blind' preacher, and his degenerate fifteen-year-old daughter. In desperation Hazel founds his own religion, 'The Church without Christ', and this extraordinary narrative moves towards its savage and macabre resolution. 'A literary talent that has about it the uniqueness of greatness.' Sunday Telegraph 'No other major American writer of our century has constructed a fictional world so energetically and forthrightly charged by religious investigation.' The New Yorker 'A genius.' New York Times
During the 1950s and early 1960s Flannery O'Connor wrote more than a hundred book reviews for two Catholic diocesan newspapers in Georgia. This full collection of these reviews nearly doubles the number that have appeared in print elsewhere and represents a significant body of primary materials from the O'Connor canon. We find in the reviews the same personality so vividly apparent in her fiction and her lectures--the unique voice of the artist that is one clear sign of genius. Her spare precision, her humor, her extraordinary ability to permit readers to see deeply into complex and obscure truths-all are present in these reviews and letters.