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In Search of the Free Individual
"I love life in its living form, life that’s found on the street, in human conversations, shouts, and moans." So begins this speech delivered in Russian at Cornell University by Svetlana Alexievich, winner of the 2015 Nobel Prize in Literature. In poetic language, Alexievich traces the origins of her deeply affecting blend of journalism, oral history, and creative writing. Cornell Global Perspectives is an imprint of Cornell University’s Mario Einaudi Center for International Studies. The works examine critical global challenges, often from an interdisciplinary perspective, and are intended for a non-specialist audience. The Distinguished Speaker Series presents edited transcripts of talks delivered at Cornell, both in the original language and in translation.
Earthly Signs
A moving collection of autobiographical essays from a Russian poet and refugee of the Bolshevik Revolution. Marina Tsvetaeva ranks with Anna Akhmatova, Osip Mandelstam, and Boris Pasternak as one of Russia’s greatest twentieth-century poets. Her suicide at the age of forty-eight was the tragic culmination of a life buffeted by political upheaval. The essays collected in this volume are based on diaries she kept during the turbulent years of the Revolution and Civil War. In them she records conversations of women in the markets, soldiers and peasants on the train traveling from the Crimea to Moscow in October 1917, fighting in the streets of Moscow, a frantic scramble with co-workers to dig...
The Blizzard
A darkly comic dystopian odyssey, from one of Russia's leading contemporary novelists Garin, a country doctor, is desperately trying to reach the village of Dolgoye, where a mysterious epidemic is transforming the villagers into zombies. He has with him a vaccine which will prevent the spread of this epidemic, but a terrible blizzard turns his journey into the stuff of nightmare. A trip that should take hours turns into a metaphysical odyssey, in which he encounters strange beasts, apparitions, hallucinations and dangerous fellow men. Trapped in this existential storm, Sorokin's characters fight their way through a landscape that owes as much to Chekhov's 19th-century Russia as it does to near-future, post-apocalyptic literature. Fantastical, comic and richly drawn, The Blizzard at once answers to the canon of Russian writers and makes a fierce statement about life in contemporary Russia.
Ice Trilogy
A New York Review Books Original In 1908, deep in Siberia, it fell to earth. THEIR ICE. A young man on a scientific expedition found it. It spoke to his heart, and his heart named him Bro. Bro felt the Ice. Bro knew its purpose. To bring together the 23,000 blond, blue-eyed Brothers and Sisters of the Light who were scattered on earth. To wake their sleeping hearts. To return to the Light. To destroy this world. And secretly, throughout the twentieth century and up to our own day, the Children of the Light have pursued their beloved goal. Pulp fiction, science fiction, New Ageism, pornography, video-game mayhem, old-time Communist propaganda, and rampant commercial hype all collide, splinter, and splatter in Vladimir Sorokin’s virtuosic Ice Trilogy, a crazed joyride through modern times with the promise of a truly spectacular crash at the end. And the reader, as eager for the redemptive fix of a good story as the Children are for the Primordial Light, has no choice except to go along, caught up in a brilliant illusion from which only illusion escapes intact.
The Bridge Over The Neroch And Other Works
"Everything is always topsy-turvy here," he said. A small town in the Ural mountains is the backdrop to the heartbreak and joys of a Russian-Jewish family, witnessing romance and illness, funerals and friendships, and the catastrophe of wartime invasion. Amidst the snowy peaks of the Ararat valley, a married couple from Moscow admire the view from their hotel balcony, unprepared for the absurdist realities of tourism in the USSR. From chandeliered metro stations to institute bus stops, monolithic skyscrapers and cockroach-infested apartments, Leonid Tsypkin evokes the tragicomedy of Soviet existence in transcendental prose.
The Slynx
“A postmodern literary masterpiece.” –The Times Literary Supplement Two hundred years after civilization ended in an event known as the Blast, Benedikt isn’t one to complain. He’s got a job—transcribing old books and presenting them as the words of the great new leader, Fyodor Kuzmich, Glorybe—and though he doesn’t enjoy the privileged status of a Murza, at least he’s not a serf or a half-human four-legged Degenerator harnessed to a troika. He has a house, too, with enough mice to cook up a tasty meal, and he’s happily free of mutations: no extra fingers, no gills, no cockscombs sprouting from his eyelids. And he’s managed—at least so far—to steer clear of the ever-...
Sleepwalker in a Fog
A collection of seven short stories and a novella by "the most original, tactile, luminous voice in Russian prose today" (Joseph Brodsky). Set in contemporary Russia, these fictions transform seemingly ordinary lives into something magical and strange. In the tradition of such writers as Gogol and Chekhov, Tolstaya gives us a crystalline vision of the human condition.
White Walls
“Tolstaya carves indelible people who roam the imagination long after the book is put down.” –Time Tatyana Tolstaya’s short stories—with their unpredictable fairy-tale plots, appealingly eccentric characters, and stylistic abundance and flair—established her in the 1980s as one of modern Russia’s finest writers. Since then her work has been translated throughout the world. Edna O’Brien has called Tolstaya “an enchantress.” Anita Desai has spoken of her work’s “richness and ardent life.” Mixing heartbreak and humor, dizzying flights of fantasy and plunging descents to earth, Tolstaya is the natural successor in a great Russian literary lineage that includes Gogol, Yu...
Pushkin's Children
“Tolstaya’s essays in this compact, historically significant volume offer a fascinating, highly intelligent analysis of Russian society and politics” (Publishers Weekly). These twenty essays address the politics, culture, and literature of Russia with both flair and erudition. Passionate and opinionated, often funny, and using ample material from daily life to underline their ideas and observations, Tatyana Tolstaya’s piees range across a variety of subjects. They move in one unique voice from Soviet women, classical Russian cooking, and the bliss of snow to the effect of Pushkin and freedom on Russia writers; from the death of the tsar and the Great Terror to the changes brought by Gorbachev, Yeltsin, and Putin in the last decade. Throughout this engaging volume, the Russian temperament comes into high relief. Whether addressing literature or reporting on politics, Tolstaya’s writing conveys a deep knowledge of her country and countrymen. Pushkin’s Children is a book for anyone interested in the Russian soul. “Tolstaya is simply the most fearless female observer of the very male-centric culture . . . of the USSR.” —Ben Dickinson, Elle
Summer in Baden-Baden
The narrator recounts his journey to Leningrad as the story of the 1867 travels of Fyodor Dostoyevsky and his new wife, Anna Grigoryevna, also unfolds.
