Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Make It Scream, Make It Burn
'Intelligent, compassionate, and so fiercely, prodigiously brave. This is the essay at its creative, philosophical best' Eleanor Catton, author of The Luminaries on THE EMPATHY EXAMS A profound exploration of the oceanic depths of longing and obsession, Make It Scream, Make It Burn is a book about why and how we tell stories. It takes the reader deep into the lives of strangers - from a woman healed by the song of 'the loneliest whale in the world' to a family convinced their child is a reincarnation of a lost pilot - and asks how we can bear witness to the changing truths of other's lives while striving to find a deeper connection to the complexities of our own.
House documents
None
Refrigeration Engineering
English abstracts from Kholodil'naia tekhnika.
The Recovering
Addiction is seemingly inexplicable. From the outside, it can look like wilful, arrogant self-destruction; from the inside, it can feel as inevitable and insistent as a heartbeat. It is possible to describe, but hard to explore. Yet in The Recovering, Leslie Jamison draws on her own life and the lives of addicts of extraordinary talent - John Cheever, John Berryman, Jean Rhys and Amy Winehouse among them - to take us inside the experience of addiction, exposing the contours, edges and wholes of an intoxicated life. Part memoir, part group biography, part literary history and part definitive analysis of cultural and social considerations of addiction, The Recovering is a significant moment in the history of post-war narrative non-fiction.
Making Your Paintings Work
Reviews drawing, color, values, and composition, offers advice on selecting a subject, developing an idea, and experimenting, and suggests an approach to solving painting problems
Journal
Some vols. have appendices consisting of reports of various state offices.
Hearings
None
The Empathy Exams
The subjects of this stylish and audacious collection of essays range from an assault in Nicaragua to a Morgellons meeting; from Frida Kahlo's plaster casts to a gangland tour of LA. Jamison is interested in how we tell stories about injury and pain, and the limits that circumstances, bodies and identity put on the act of describing.
