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Painting & the Market in Early Modern Antwerp
This study of the ways in which Flemish painting between 1550 and 1650 reflected the burgeoning capitalism of Antwerp, focuses not only on the market-scene paintings, but also on the interaction between painters and markets as it was influenced by merchants, governments and consumers.
POTTER United Families
Nic de Potter is co-author of six kids in Brussels and six books in Bruges. - His intelligence agency investigated families during twenty years. - He uncovered best stories out of the millenium (1050-2050). - Eleventh century Graal quest with King Godfrey in Ardennes - Heroïc Celtic craftsmen Tournai, 12thC. - French textile heretics in Renaix, 13thC. - Tough rebels to bloody Duke of Alba in Brabant, 15thC. - Dutch secret support during the great sickness, 16thC. - Brilliant Flemish scouts in Bruges, 17thC. - Brave Belgian revolution leader, 18thC. - Forgotten American migrants, 19thC. - German WW1 escape, 20thC. - Vanishing of Brussels, 21thC!? - Amazing true illustrated adventures! More info and sources: www.potter.c.la
The Paper Trade in Early Modern Europe
This book attends to the most essential, lucrative, and overlooked business activity of early modern Europe: the trade of paper. Despite the well-known fact that paper was crucial to the success of printing and record-keeping alike, paper remains one of the least studied areas of early modern history. Organised into three sections – ‘Hotspots and Trade Routes’, ‘Usual Dealings’, and ‘Recycling Economies’ – the chapters in this collection shed light on the practices, materials, and networks of the paper trade. Altogether, the collection uncovers the actors involved in the networks of paper production, transportation, purchase, and reuse, between the thirteenth and nineteenth centuries and across the central and peripheral papermaking regions of Europe. Contributors: Renaud Adam, Daniel Bellingradt, Frank Birkenholz, Simon Burrows, Orietta Da Rold, Michael Falk, Anna Gialdini, Rachel Hendery, Silvia Hufnagel, Jean-Benoît Krumenacker, Katherine McDonough, Krisztina Rábai, Anna Reynolds, Benito Rial Costas, Tapio Salminen, Helen Smith, Jan Willem Veluwenkamp, Andreas Weber, and Megan Williams.
Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court
For twenty-four or more years composer Pierre de la Rue (d. 1518) provided music for one of the leading musical institutions of his day, the grande chapelle of the Habsburg-Burgundian court. Serving successive rulers Maximilian I, Philip the Fair, Juana of Castile, Marguerite of Austria, and the future Charles V, La Rue surpassed a dozen composer colleagues in his creation of polyphony to meet the needs of the court and its extravagant liturgy. This study, the first ever in English, traces La Rue's life and career, explores aspects of his compositional output, and recounts the reawakening of modern scholarship to his unique contributions.
Civic Continuities in an Age of Revolutionary Change, c.1750–1850
This open access book explores the role of continuity in political processes and practices during the Age of Revolutions. It argues that the changes that took place in the years around 1800 were enabled by different types of continuities across Europe and in the Americas. With historians of modernity tending to emphasise the rise of the new, scholarship has leaned towards an assumption that existing modes of action, thought and practice simply became extinct, irrelevant or at least subordinate to new modes. In contrast, this collection examines continuities between early modern and modern political cultures and organization in Europe and the Americas. Shifting the focus from political modernization, the authors examine the continued relevance of older, often local, practices in (post)revolutionary politics. By doing so, they aim to highlight the role of local political traditions and practices in forging and enabling political change. The book argues that while political change was in fact at the centre of both the old and new polities that emerged in the Age of Revolutions, it coexisted with, and was indeed enabled by, continuities at other levels.
Cities of Ladies
Selected by Choice magazine as an Outstanding Academic Title In the early thirteenth century, semireligious communities of women began to form in the cities and towns of the Low Countries. These beguines, as the women came to be known, led lives of contemplation and prayer and earned their livings as laborers or teachers. In Cities of Ladies, the first history of the beguines to appear in English in fifty years, Walter Simons traces the transformation of informal clusters of single women to large beguinages. These veritable single-sex cities offered lower- and middle-class women an alternative to both marriage and convent life. While the region's expanding urban economies initially valued th...
Antwerp & the World
Richard Verstegan is the usual English name of a man who went through early life as Richard Rowlands, before reverting to his ancestral Dutch surname in exile. Born in Mid-Tudor London around 1550 and dying in the Baroque Antwerp of 1640, his ninety-odd years of life saw numerous religious, political and military conflicts, in some of which he was a minor player and on almost all of which he commented in his writings. After studying at Oxford without taking a degree, training as a goldsmith and illegally printing a Catholic book, he fled to France, where he worked as a propagandist for the faction of the Duke of Guise. Imprisoned in France for these activities, he fled to Rome, and eventually settled in Antwerp, where he worked for almost fifty years as, variously, a newswriter, engraver, publisher, editor, translator, polemicist, antiquarian, cloth merchant, poet and satirist. He is one of the earliest identifiable European newspaper journalists, having worked on Abraham Verhoeven's Nieuwe Tijdinghen (Antwerp, 1620-1629).
Grand Design
Pieter Coecke van Aelst (1502 – 1550) was renowned throughout Renaissance Europe as a draftsman, painter, and publisher of architectural treatises. The magnificent tapestries he designed were acquired by the wealthiest clients of the day, up to and including rulers such as Emperor Charles V, King Francis I of France, King Henry VIII of England, and Grand Duke Cosimo I de’ Medici of Tuscany. At the same time, Coecke was remarkable not only for the complexity and unparalleled quality of his tapestries, but also for his fluency in various media: this lavishly illustrated volume examines the full range of his work, from tapestry and stained-glass window designs to panel paintings, prints, dr...
