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Elizabeth Taylor's own story was more dramatic than any part she ever played on the screen. C. David Heymann brings her magnificently to life in this acclaimed biography--updated with a new chapter covering her final years. She was an icon, one of the most watched, photographed, and gossiped-about personalities of our time. Child star, daughter of a controlling stage mother, Oscar-winning actress, seductress and eight-time wife, mother of four children and grandmother of ten, champion of funding for AIDS research, purveyor of perfumes and jewelry, close friend of celebrities and tycoons—Elizabeth Taylor, for almost eight decades, played most completely, beautifully, cunningly, flamboyantly...
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A Moon for the Misbegotten is one of Eugene O'Neill's most frequently revived works, and major American revivals of the play have been instrumental in securing its esteemed position in theater history. While the play's landmark production in 1973 is largely regarded as the moment when it finally achieved greatness, its 60-year production history also includes several regional productions and Broadway revivals. This work provides a production history of A Moon for the Misbegotten in the United States, from the play's original Theatre Guild production in 1947 to its Broadway revival in 2007. Throughout the study, the author provides the inside story on the play's often rocky transition from the page to the stage, including detailed looks at initial casting difficulties and several controversies over censorship.
The first comprehensive study of the leading American avant-garde theatre director Robert Wilson.
"This new and updated Guide, with over 2,700 cross-referenced entries, covers all aspects of the American theatre from its earliest history to the present. Entries include people, venues and companies scattered through the U.S., plays and musicals, and theatrical phenomena. Additionally, there are some 100 topical entries covering theatre in major U.S. cities and such disparate subjects as Asian American theatre, Chicano theatre, censorship, Filipino American theatre, one-person performances, performance art, and puppetry. Highly illustrated, the Guide is supplemented with a historical survey as introduction, a bibliography of major sources published since the first edition, and a biographical index covering over 3,200 individuals mentioned in the text."--BOOK JACKET.
The founder and director of the Yale Repertory Theater, as well as Harvard's American Repertory Theater, and the drama critic for The New Republic for going on thirty years, Robert Brustein is a living legend in theatrical circles. In Letters to a Young Actor, he not only seeks to inspire the multitudes of struggling dramatists out pounding the pavement, but also to reinvigorate the very state of the art of acting itself. Brustein is a man of strong opinions and formidable intellect. Stocked with a wealth of stories about the now rich and famous (he has at various points in his career cultivated such talent as actors Meryl Streep, Marisa Tomei, Cherry Jones, Debra Winger, Sigourney Weaver, C...
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