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The Politics of Memory
The Eighty Years’ War and the establishment of two states in the Low Countries inaugurated the publication of numerous texts to support a distinct Northern and Southern identity. This study analyses urban and regional chorographies written both in the North and in the South in the seventeenth century. It examines different strategies that chorographers developed to make sense of the recent and more remote past. It also looks at the development of different historiographical traditions in the Protestant North and the Catholic South and thus contributes to the current research interest in the history of historiography, cultures of memory and identity formation.
The Power of Necessity
Exploring reason of state in a global monarchy, The Power of Necessity examines how thinkers and agents in the Spanish monarchy navigated the tension between political pragmatism and moral-religious principle. This tension lies at the very heart of Counter-Reformation reason of state. Nowhere was the need for pragmatic state management greater than in the overstretched Spanish Empire of the seventeenth century. However, pragmatic politics were problematic for a Catholic monarchy steeped in ideals of justice and divine justifications of power and kingship. Presenting a broad cast of characters from across Europe, and uniting published sources with a wide range of archival material, Lisa Kattenberg shows how non-canonical thinkers and agents confronted the political-moral dilemmas of their age by creatively employing the legitimizing power of necessity. Pioneering new ways of bridging the persistent gap between theory and practice in the history of political thought, The Power of Necessity casts fresh light on the struggle to preserve the monarchy in a modernizing world.
Petrarch and His Readers in the Renaissance
Petrarch, the “father of Humanism”, has exerted a striking impact on early modern intellectuals. This volume discusses how Petrarch’s writings were understood, read and used by intellectuals, writers and artists from the fourteenth to the seventeenth century. Specialists from various disciplines (Italian, French, Neo-Latin, Dutch, art history, history of science) demonstrate that early modern reception is an extremely variable phenomenon; that it is largely dominated by the various discourses, paradigm’s, literary genres, interests, needs and experiences of the users, and to a much lesser degree by the author’s text, even if safeguarded with such great care and by such a famous author as in Petrarch’s case. The volume is important for all scholars interested in literature, Humanism, Renaissance Studies, Petrarch, reception, history of reading and the intellectual history of the early modern period. Contributors include: Jean Balsamo, Dóra Bobory, Dina De Rentiis, Ugo Dotti, Karl A.E. Enenkel, Reindert L. Falkenburg, Ursula Kocher, Marc Laureys, Reinier Leushuis, Jan Papy, Paul J. Smith, and Bart Van den Bossche.
Humanistica Lovaniensia
As well as presenting articles on Neo-Latin topics, the annual journal Humanistica Lovaniensia is a major source for critical editions of Neo-Latin texts with translations and commentaries. Please visit www.lup.be for the full table of contents.
The Oxford Handbook of Neo-Latin
From the dawn of the early modern period around 1400 until the eighteenth century, Latin was still the European language and its influence extended as far as Asia and the Americas. At the same time, the production of Latin writing exploded thanks to book printing and new literary and cultural dynamics. Latin also entered into a complex interplay with the rising vernacular languages. This Handbook gives an accessible survey of the main genres, contexts, and regions of Neo-Latin, as we have come to call Latin writing composed in the wake of Petrarch (1304-74). Its emphasis is on the period of Neo-Latin's greatest cultural relevance, from the fifteenth to the eighteenth centuries. Its chapters,...
The Silver Caesars
The twelve monumental silver-gilt standing cups known as the Aldobrandini Tazze constitute perhaps the most enigmatic masterpiece of Renaissance European metalwork. Topped with statuettes of the Twelve Caesars, the tazze are decorated with marvelously detailed scenes illustrating the lives of those ancient Roman rulers. The work’s origin is unknown, and the ensemble was divided in the nineteenth century and widely dispersed, greatly hampering study. This volume, inspired by a groundbreaking symposium at The Metropolitan Museum of Art, examines topics ranging from the tazze’s representation of the ancient world to their fate in the hands of nineteenth-century collectors, and presents newly discovered archival material and advanced scientific findings. The distinguished essayists propose answers to critical questions that have long surrounded the set and shed light on the stature of Renaissance goldsmiths’ work as an art form, establishing a new standard for the study of Renaissance silver.
The Tame and the Wild
Marcy Norton tells a new history of the European colonization of the Americas, one that places wildlife and livestock at the center of the story. She reveals that it was, above all, the encounters between European and Native American beliefs about animal life that transformed societies on both sides of the Atlantic.
Myricae
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Journal of Neo-Latin Studies
Volume 51
