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Prague Castle: The Captivating Voyage to History & Art
Discover Prague Castle Like Never Before! Our guide is a must-have for history and art enthusiasts. It goes beyond mere facts and figures, immersing you in the rich context that brings history to life. Meet rulers, architects, saints, and artists through captivating stories. But here's the best part – you don't have to read it all. Choose to listen and let your imagination roam as you admire the stunning visuals. With breathtaking photographs and insider tips, we'll take you to hidden gems and off-limits spots. Optimized for mobile viewing, our guide feels more like a sleek app than a traditional e-book. Embark on a sensory journey through Prague Castle's treasures with us. Whether you're ...
Jewels of Prague: The Captivating Voyage to History & Art
Discover the Beauty of Prague Like Never Before! Our guide is a must-have for history and art enthusiasts. It goes beyond mere facts and figures, immersing you in the rich context that brings history to life. Meet rulers, architects, saints, and artists through captivating stories. But here's the best part – you don't have to read it all. Choose to listen and let your imagination roam as you admire the stunning visuals. With breathtaking photographs and insider tips, we'll take you to hidden gems and off-limits spots. Optimized for mobile viewing, our guide feels more like a sleek app than a traditional e-book. Embark on a sensory journey through Prague's treasures with us. Whether you're ...
The Power of Place
This volume explores the nature of power - the power of kings, emperors and popes - through the places that these rulers created or developed, including palaces, cities, landscapes, holy places, inauguration sites and burial places. Ranging across all of Europe from the 1st to the 16th centuries, David Rollason examines how these places conveyed messages of power and what those messages were.
Symbolic Identity and the Cultural Memory of Saints
This volume examines the relationship between medieval cults of saints and regional and national identity formation in Europe both during and, to some extent, beyond the Middle Ages. It studies how collective identities have been expressed through saints’ cults and their appropriations in texts, visual representations, and music. Attention is given to various aspects of the role of medieval saints’ cults in European identity formation, as saints were used in the service of both religious and political agendas. Focusing on a range of European regions, this volume uses cults of medieval saints and their religious, cultural and political appropriations over time as a vehicle for studying changing cultural and social values. The articles here report research carried out under the European Science Foundation’s collaborative EuroCORECODE project: Symbols that Bind and Break Communities: Saints’ Cults as Stimuli and Expressions of Local, Regional, National and Universalist Identities (2010–2013/14), an international, interdisciplinary research venture funded by the National Research Councils of five countries: Austria, Denmark, Estonia, Hungary, and Norway.
Embodiments of Power
The period of the baroque (late sixteenth to mid-eighteenth centuries) saw extensive reconfiguration of European cities and their public spaces. Yet, this transformation cannot be limited merely to signifying a style of art, architecture, and decor. Rather, the dynamism, emotionality, and potential for grandeur that were inherent in the baroque style developed in close interaction with the need and desire of post-Reformation Europeans to find visual expression for the new political, confessional, and societal realities. Highly illustrated, this volume examines these complex interrelationships among architecture and art, power, religion, and society from a wide range of viewpoints and localities. From Krakow to Madrid and from Naples to Dresden, cities were reconfigured visually as well as politically and socially. Power, in both its political and architectural guises, had to be negotiated among constituents ranging from monarchs and high churchmen to ordinary citizens. Within this process, both rulers and ruled were transformed: Europe left behind the last vestiges of the medieval and arrived on the threshold of the modern.
Visualizing Ancestry in the High and Late Middle Ages
Appearing in all figural media from the mid-twelfth century, family trees and lineages made political claims for their patrons.
And God Saw That It Was Good (Gen 1:12)
In this volume, the concept of quality is discussed both in the Bible and in the scholarship that evolved around the Bible. Scholars of various backgrounds analyse the Bible and its narrative and enumerative (or legal) way of qualifying the world around. According to the intrinsic theological view of the Bible, it is God himself who is the touchstone of any qualitative judgement. From literary and historical point of view though, we can - and we often do - judge Bible and things around us differently. The volume presents an intersection of biblical theology, biblical criticism and biblical archaeology in their quest for (their respective renditions of) quality.
Architecture, Art and Identity in Venice and its Territories, 1450–1750
Inspired by Deborah Howard’s leading role in fostering a historically grounded and interdisciplinary approach to the art and architecture of Venice, the essays here examine the connections and rapports between art and identity through the discussion of patronage, space (domestic and ecclesiastical), and dissemination of architectural knowledge as well as models within Venice, its territories and beyond.
Lateness and Modernity in Medieval Architecture
This volume engages with notions of lateness and modernity in medieval architecture, broadly conceived geographically, temporally, methodologically, and theoretically. It aims to (re)situate secular and religious buildings from the 14th through the 16th centuries that are indebted to medieval building practices and designs, within the more established narratives of art and architectural history.
Transparency
A wide-ranging illustrated history of transparency as told through the evolution of the glass window Transparency is a mantra of our day. It is key to the Western understanding of a liberal society. We expect transparency from, for instance, political institutions, corporations, and the media. But how did it become such a powerful--and global--idea? From ancient glass to Apple's corporate headquarters, this book is the first to probe how Western people have experienced, conceptualized, and evaluated transparency. Daniel Jütte argues that the experience of transparency has been inextricably linked to one element of Western architecture: the glass window. Windows are meant to be unnoticed. Yet a historical perspective reveals the role that glass has played in shaping how we see and interpret the world. A seemingly "pure" material, glass has been endowed, throughout history, with political, social, and cultural meaning, in manifold and sometimes conflicting ways. At the same time, Jütte raises questions about the future of vitreous transparency--its costs in terms of visual privacy but also its ecological price tag in an age of accelerating climate change.
