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The Low Countries are generally considered to be the land of painting. Consequently, sculpture, especially that of the 16th century, has been insufficiently explored. In Moving Sculptures Aleksandra Lipińska presents a little-known chapter of the history of Netherlandish sculpture: the serial production of small-scale alabaster reliefs, altarpieces and statuettes in the workshops of Mechelen and Antwerp between c. 1525 and 1650. She gives the reader an insight into the rules of this craft, the specificity of the material, and the marketing methods employed. But the innovative element of this study lies in the fact that Lipińska analyses the phenomenon from the perspective of its distant recipients in Central and Northern Europe on the basis of works largely unknown to the broader public. For sample pages click on Google Books button.
This monograph presents a critical analysis of the body of historical writing on the history of the Jewish population in Poznania in the era of the Prussian rule (1772-1918 ), including the identification and verification of the attendant myths and stereotypes. The interest in the Polish edition of this book was considerable. Similarly noticeable was the academic response to the title, despite its ostensibly local subject matter. While this study was also noticed abroad, the language barrier has severely impeded its impact. This prompted the author to work towards the English edition of this book, hoping it would find its way into global academic circulation. Some changes and additions were made in the English version. It includes an updated survey of scholarship on this subject of the past twenty years, a response to reviews engaging with the Polish edition, and some general reflections on the evolution of historiography in the recent years.
A re-examination of the George Circle in the cultural and political contexts of Wilhelmine, Weimar, and Nazi Germany. Stefan George (1868-1933) was one of the most important figures in modern German culture. His poetry, in its originality and impact, has been ranked with that of Goethe and Hölderlin. Yet George's reach extended beyond the sphereof literature. In the early 1900s, he gathered around himself a circle of disciples who subscribed to his vision of comprehensive cultural-spiritual renewal and sought to turn it into reality. The ideas of the George Circle profoundly affected Germany's educated middle class, especially in the aftermath of the First World War, when their critique of ...
»Helpless Imperialists« enquires into the relation between imperial exposure, fear, radicalization and violence and highlights moments of peripety bringing imperialist grandeur to collapse.
Rewrites the history of architectural modernism for an age of environmental crisis and enduring colonialism.
'Artists Under Hitler' closely examines cases of artists who failed in their attempts to find accommodation in the Nazi regime as well as others whose desire for official acceptance was realised. They illuminate the complex cultural history of this period and provide haunting portraits of people facing excruciating choices and grave moral questions.
The original research in this book analyzes the artistic activity of Santi Gucci (1533– c.1600), a Florentine sculptor active in Poland in the second half of the sixteenth century, and his workshop. Chapters examine the organization of the artistic workshop (sculpting and masonry) and the model of the artist’s functioning as an entrepreneur in Renaissance Poland, using Santi Gucci’s activity as an example. Gucci shaped the image of Polish sculpture in the sixteenth century for more than 50 years, even though his work has not yet been fully examined. The author sets Gucci’s emigration within the context of the cultural exchanges between Italy and Poland that contributed to the development of the Polish Renaissance. The book will be of interest to scholars working in art history, Renaissance studies, architectural history and economic history.
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Too often, scholars treat transnationalism as a conflict in which the local, regional, and national give way to globalized identity. As these varied studies of German cities show, though, the urban environment is actually a site of trans-localism that is not merely oppositional, but that adapts itself dialectically to the forces of globalization.