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Das Universum des Jan Švankmajer
This publication documents the sculptures, surreal artifacts and drawings of legendary Czech filmmaker, object artist, illustrator and poet Jan Svankmajer (born 1934). Svankmajer draws on natural history--especially taxidermy--to create bizarre hybrid creatures.
Jan Švankmajer
Although the art and films of Jan Švankmajer enjoy wide international recognition today, ranking him among the most original artists of the last decades, many aspects of his life and work have remained unexplored. Nor has any book yet tried to systematically and comprehensively mark out the path of the formation and development in the work of this film-maker, artist, experimenter, poet and 'militant Surrealist' and thus show how the different sides converse with each other. The present book is the most comprehensive monograph on Jan Švankmajer so far, it describes with greater depth and precision aspects of his life and work and it invites the reader to dive into a wonderfully rich and coherent, distinctive and unique universe. The essays emphasise and illuminate characteristic attributes of Švankmajer's work - puppet theatre, Mannerism, Surrealism, collaboration with Eva Švankmajerová, his own film idiom, and also comparatively little known elements such as obsessional passion for collecting, first formative years and experiences.
Jan Svankmajer
Jan Svankmajer enjoys a curious sort of anti-reputation: he is famous for being obscure. Unapologetically surrealist, Svankmajer draws on the traditions and techniques of stop-motion animation, collage, montage, puppetry, and clay to craft bizarre filmscapes. If these creative choices are off-putting to some, they have nonetheless won the Czech filmmaker recognition as a visionary animator. Keith Leslie Johnson explores Svankmajer's work as a cinema that spawns new and weird life forms ”hybrids of machine, animal, and non-organic materials like stone and dust. Johnson's ambitious approach unlocks access to the director's world, a place governed by a single, uncanny order of being where all things are at once animated and inert. For Svankmajer, everything is at stake in every aspect of life, whether that life takes the form of an object, creature, or human. Sexuality, social bonds, religious longings ”all get recapitulated on the stage of inanimate things. In Johnson's view, Svankmajer stands as the proponent of a biopolitical, ethical, and ecological outlook that implores us to reprogram our relationship with the vital matter all around us, including ourselves and our bodies.
Dark Alchemy
Czech animator Jan Svankmajer is one of the most distinctive and influential of contemporary filmmakers. As a leading member of the Prague Surrealist Group, his work is linked to a rich avant-garde tradition and an uncompromising moral stance that brought frequent tensions with the authorities in the normalization years following the Soviet invasion of Czechoslovakia in 1968. Svankmajer's formative influences have been the pre-war surrealists, the Prague of Rudolf II, experimental theatre, folk puppetry and, above all, the political traumas of the past 50 years. Like his contemporaries—including playwright president Vaclav Havel, and, in exile, novelist Milan Kundera and filmmaker Milos Fo...
Dark Alchemy
Czech animator Jan Svankmajer is one of the most distinctive and influential of contemporary filmmakers. As a leading member of the Prague Surrealist Group, his work is linked to a rich avant-garde tradition and an uncompromising moral stance that brought frequent tensions with the authorities in the normalization years following the Soviet invasion of Czechoslovakia in 1968. Svankmajer's formative influences have been the pre-war surrealists, the Prague of Rudolf II, experimental theatre, folk puppetry and, above all, the political traumas of the past 50 years. Like his contemporaries--including playwright president Vaclav Havel, and, in exile, novelist Milan Kundera and filmmaker Milos For...
Jan Švankmajer
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The Cinema of Jan Švankmajer
Previous ed.: published as Dark alchemy. Westport, Conn.: Greenwood, 1995.
Revising Animation Genres: Jan Svankmajer, Tim Burton and James Cameron and the Study of Myth
Scientific Essay from the year 2011 in the subject Film Science, grade: N/A: Professional Lecture, University of Technology, Sydney (School of Design), course: MA Animation, language: English, abstract: This lecture ‘Revising Animation Genres: Jan Svankmajer, Tim Burton and James Cameron and the Study of Myth’ addresses the idea or concept of today’s classification of genres for animation feature films and interrogates why this concept needs to be revised today. The lecture is also about what makes it possible to tell a story successfully within films that use animation visual effects today. To do this, it discusses why the concept of the animation genre needs to be revised and suggest...
Touching and Imagining
Jan Aevankmajer wrote this remarkable book on tactile art when he stopped directing films after censorship by the Czechoslovakian government and experimented intensively with tactile phenomena and the creative imagination. Illustrated with over 100 images, the book is organised around many reproductions of Aevankmajer's wondrous tactile art objects, tactile poems, experiments and games. It also includes dialogues with, and artworks by, other collaborating artists from the Group of Czech and Slovak Surrealists. Aevankmajer also gathers together as contributors such notable exponents of tactual experience as Edgar Allen Poe, Guillaume Apollinaire, Salvador Dali, Marcel Duchamp, Meret Oppenheim, Ay-O, and F.T. Marinetti. Michael Havas, producer of some of Aevankmajer's films, says of the book: 'it is typically Aevankmajer: erudite and very consequential. Sometimes also very funny and erotic. Totally unique.'
Jan Svankmajer
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