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Paper Bird is a collection of childhood memories from award-winning author Jan Truss. Born in 1925 in Stoke-on-Trent, England, by the time Jan was six years old the Great Depression had arrived, forever altering her life. These stories are a vivid glimpse into a changing world, a grand tour of a different era. They are also an invitation to tour the backstage, the psychological theatre of events and emotions that later enriched the characters in Jan’s novels and plays. The stories are set between 1930 and 1936, and follow the breakdown of a young girl’s world and her ultimate survival as a tough eleven-year-old on her way to higher education. Jan Truss has carried these stories with her into her ninetieth year on the planet – choosing to share them now. She still lives in the countryside deep in the rolling hills of Alberta, Canada. * * * You can also download Jan’s wonderful interpretation of these stories on CD Baby or iTunes. The stories were recorded some years ago at the Banff Centre, on a fine autumn day, high in the Canadian Rockies. This book and the recordings are a collaboration between Jan and her daughter Sally who served as editor and producer of the project.
Windows and Words is a collection of seventeen essays that confirms and celebrates the artistry of Canadian Children's Literature. There are essays that survey a wealth of English language fiction, from the internationally acclaimed work of Lucy Maud Montgomery, the aboriginal adolescent novel, to the increasingly multi-cultural character of children's books. Others examine book illustration, visual literacy, and the creative partnership seen in the picture book and its art design. With contributions by two Governor General's Award winning authors, Janet Lunn and Tim Wynne-Jones, and a final commentary by Elizabeth Waterson, the heart of this collection offers a unique perspective on the artistry of writing for children and claims a rightful place for Canadian children's literature as literature.
In order to escape from troublesome younger brothers who interfere with her homework and may cause her to fail in school, Jasmin goes to live alone in the Canadian wilderness.
Syllables of Recorded Time is a lively look at the development over the last six decades of a national authors’ association, with all its problems and foibles. Personalities such as Bliss Carman, Nellie McClung, Stephen Leacock, B.K. Sandwell, W.A. Deacon, Mazo de la Roche, John Murray Gibbon, Helen Chreighton, Watson Kirkconnell, Charles G.D. Roberts and Duncan Campbell Scott figure prominently in the amusing anecdotes of the early days, and Hugh MacLennan, Pierre Berton, Dorothy Livesay and Arthur Hailey in the later years. Syllables of Recorded Time highlights the discussions and legalities regarding issues of copyright, contracts, women’s role, cultural domination by Britain and the U.S.A., government funding and markets for writers. It tells why there was a spinoff of specialized interests including the Canadian Writers’ Foundation, the League of Poets, the Governor General’s Awards, the Canadian Copyright Institute, the Canadian Society of Children’s Authors, Illustrators and Performers and the Writers’ Union of Canada. Harrington vividly portrays all facets of the organization in this valuable resource book.
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In this, the companion to the landmark volume The Literary History of Alberta, Volume One: From Writing-on-Stone to World War Two, George Melnyk examines Alberta literature in the second half of the twentieth century. At last, Melnyk argues, Alberta writers have found their voice--and their accomplishments have been remarkable. The contradictory landscape, the stereotypes of the Indian, the Mountie, and the Cowboy, and the language of the Other, speaking from the margins--these elements all left their impressions on the consciousness of early Alberta. But writers in the last few decades have turned this inheritance to their advantage, to create compelling stories about this place and its people. Today, Melnyk discovers, Alberta writers can appreciate not only this achievement, but also its essential source: the symbolic communication of Writing-on-Stone. The Literary History of Alberta, Volume Two extends the study of Alberta's cultural history to the present day. It is a vital text for anyone interested in Alberta's vibrant literary culture.
The essays in Home Words explore the complexity of the idea of home through various theoretical lenses and groupings of texts. One focus of this collection is the relation between the discourses of nation, which often represent the nation as home, and the discourses of home in children’s literature, which variously picture home as a dwelling, family, town or region, psychological comfort, and a place to start from and return to. These essays consider the myriad ways in which discourses of home underwrite both children’s and national literatures. Home Words reconfigures the field of Canadian children’s literature as it is usually represented by setting the study of English- and French-language texts side by side, and by paying sustained attention to the diversity of work by Canadian writers for children, including both Aboriginal peoples and racialized Canadians. It builds on the literary histories, bibliographical essays, and biographical criticism that have dominated the scholarship to date and sets out to determine and establish new directions for the study of Canadian children’s literature.