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Dutch Type
Overzicht van vooral de 20e-eeuwse Nederlandse typografie.
Typographic Milestones
Profiles of 18 typographers who made significant contributions to the field, including oldies such as Gutenberg, Caxton, Caslon, Baskerville, Bodoni, and several moderns whose work—Times New Roman, Perpetua, Electra, etc.—is better known than their names.
Trinité & Lexicon
In 1991 publishers Uitgeverij De Buitenkant and Spectatorpers published a small book entitled "Romanée en Trinité: Historisch origineel en systematisch slordig". The author set the Dutch text by hand, using Jan van Krimpen's Romanée, and printed 500 copies on a Victoria platen press. Drukkerij Jan de Jong (Uitgeverij De Buitenkant's in-house press) printed the type specimen section in offset. By 1991 the Autologic phototypesetter had already been phased out, Enschedé having switched to digital typesetting. Fortunately the author was able to use the phototypeset positives for the 1982 type specimen. Enschedé had given Peter Matthias Noordzij the job of digitizing Trinité and in the second half of Romanée en Trinité the author was able to give a foretaste of the results. This book contains the full text of Romanée en Trinité, but it was technically impossible to include the hand-set specimen.
A Century for the Century
These lists are usually generated in neat doses of one hundred titles. Here then (at least in the opinions of Messrs. Hutner and Kelly) are the hundred greatest printed books of the twentieth century. Given another pair of editors, you d probably be offered a different list, but this one serves and serves well, for it concentrates not only on the recognized chestnuts, but also lesser-known, and often exceedingly récherché volumes that have left their mark. It is noteworthy that only two books in the survey were printed by offset; the rest are all letterpress. And although America is strongly represented, there are also selections from Italy, France, Germany, the Netherlands, England, Wales...
Bulletin
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Designing Type
The now-classic introduction to designing typography, handsomely redesigned and updated for the digital ageIn this invaluable book, Karen Cheng explains the processes behind creating and designing type, one of the most important tools of graphic design. She addresses issues of structure, optical compensation, and legibility, with special emphasis given to the often-overlooked relationships between letters and shapes in font design. In this second edition, students and professional graphic designers alike will benefit from an expanded discussion of the creative practice of designing type—what designers need to consider, their rationale, and issues of accessibility—in the context of contem...
