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In the gripping first pages of this true story, Jana Leo relives the moment-by-moment experience of a home invasion and rape in her own apartment in Harlem. After she reports the crime, she waits. Between police disinterest and squabbles from the health insurance company over who’s going to pay for the rape kit, she realizes that the violence of such an experience does not stop with the crime. Increasingly concerned that the rapist will return, she seeks help from her landlord, who refuses to address security issues on the property. She comes to understand that it is precisely these conditions of newly gentrified lower-income areas which lead to vulnerable living spaces, high turnover rates, and ultimately higher profits for slumlords. In this most singular memoir, Leo weaves a psychological journey into an analysis that becomes equally personal: the fault lines of property mismanagement, class vulnerabilities, and a deeply flawed criminal justice system. In a stunning conclusion, Leo has her day in court.
Contemporary Feminist Life-Writing is the first volume to identify and analyse the 'new audacity' of recent feminist writings from life. Characterised by boldness in both style and content, willingness to explore difficult and disturbing experiences, the refusal of victimhood, and a lack of respect for traditional genre boundaries, new audacity writing takes risks with its author's and others' reputations, and even, on occasion, with the law. This book offers an examination and critical assessment of new audacity in works by Katherine Angel, Alison Bechdel, Marie Calloway, Virginie Despentes, Tracey Emin, Sheila Heti, Juliet Jacques, Chris Krauss, Jana Leo, Maggie Nelson, Vanessa Place, Paul Preciado, and Kate Zambreno. It analyses how they write about women's self-authorship, trans experiences, struggles with mental illness, sexual violence and rape, and the desire for sexual submission. It engages with recent feminist and gender scholarship, providing discussions of vulnerability, victimhood, authenticity, trauma, and affect.
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In Street Harassment as Everyday Violence, Melinda A. Mills investigates women’s experiences with street harassment, recognizing this phenomenon as a form of everyday violence. The author follows feminist scholars to consider the ways that silence can potentially, if only partially, protect women from verbally assaultive men who harass women in public. This violence both reveals and conceals itself in the discourses of silence about and during street harassment. It maps onto and reflects the web of violence that proves persistent and difficult to dismantle. This work operates as an initial intervention, by way of recognition of street harassment as a problem that hides in plain sight.
The official records of the proceedings of the Legislative Council of the Colony and Protectorate of Kenya, the House of Representatives of the Government of Kenya and the National Assembly of the Republic of Kenya.
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Her country needs her. But her heart is elsewhere. After fleeing German-occupied Paris, Alix is back in her home in Belgrade, hoping to finally reunite with her parents. But while Alix has been fighting her own battles with the Resistance, her parents have too fled with King Peter to ensure his safety. As Alix decides to find her parents with her father’s deputy steward, Drago, they are derailed and forced to reside in the Serbian country home. But all is not lost when Alix finds Nikola in the city - the man her father said she was to marry before war broke out. She finds she has more in common with him than ever expected, and together with Drago they join a new Resistance. But Alix hasnâ€...