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Jane Darke loves Cornwall. It is where she raised her family with the acclaimed Cornish writer Nick Darke. The family have lived for generations on Porthcothan beach and kept the traditions of beachcombing, lobster fishing and preservation of coastal ecology alive. After Nick's death Jane struggled with her grief, she had defined herself as a wife and mother and now she had to rediscover who she had been before her marriage and embrace the new possibilities of the life ahead of her. After Nick's death Jane had to find answers to the conflicting emotions of her grief - despair, confusion, panic and gratitude - and found them in what she had always shared with her husband (a love of Cornwall, the sea and a new focus to her work as an artist). Jane began to find her own place and identity in Cornwall. This is a book about intimacy, life with a partner and living within the environment around you, and the healing power of both; as well as a celebration of how we are shaped by the geography of the sea as much as the tides of a marriage.
Timely re-issue of the groundbreaking manifesto for feminist architecture Making Space is a pioneering work first published in 1984 which challenges us to look at how the built environment impacts on women’s lives. It exposes the sexist assumptions on gender and sexuality that have a fundamental impact on the way buildings are designed and our cities are planned. Written collaboratively by the feminist collective Matrix, tthe book provide a full blown critique of the patriarchal built environment both in the home and in public space, and outline alternative forms of practice that are still relevant today. Making Space remains a path breaking book pointing to possibilities of a feminist future. Some authors worked for the London-based Matrix Feminist Architect’s collective, an architectural practice set up in 1980 seeking to establish a feminist approach to design. They worked on design projects—such as community, children and women’s centres. Others were engaged in building work, teaching and research. The new edition comes with a new introduction examining the context, process and legacy of Making Space written by leading feminists in architecture.
What does it mean to 'kiss and part'? This collection of previously unpublished short stories from a stellar list of contemporary women novelists is a literary celebration of the spirit of place. Each contributor shares one thing in common - they have all stayed at a small cottage in the village of Clifford Chambers near Stratford-upon-Avon, courtesy of a trust set up to provide women writers with ‘a room of one’s own’, as Virginia Woolf put it. Clifford Chambers was the home of the Jacobean poet Michael Drayton, who incorporated the phrase ‘Kiss and part’ into a sonnet. Each of the ten short stories in this collection takes this as its theme and the result is wonderfully eclect...
How Designers Think is based on Bryan Lawson's many observations of designers at work, interviews with designers and their clients and collaborators. This extended work is the culmination of forty years' research and shows the belief that we all can, and do, design, and that we can learn to design better. The creative mind continues to have the power to surprise and this book aims to nurture and extend this creativity. Neither the earlier editions, nor this book, are intended as authoritative prescriptions of how designers should think but provide helpful advice on how to develop an understanding of design. In this fourth edition, Bryan Lawson continues to try and understand how designers th...
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
With special reference to Hyderabad City, India.
A Tale of Two Cities is a study of two major cities, Manchester and Sheffield. Drawing on the work of major theorists, the authors explore the everyday life, making contributions to our understanding of the defining activities of life.
The Nonhuman in American Literary Naturalism responds to a need to expand and refine the connections among nonhuman studies and American literary naturalism and to productively expand the scholarly discourse surrounding this vital movement in American literary history. This collection focuses on that which becomes visible when the human subject is skirted, or moved off-center: in other words, the representation of nonhuman animals and other vital or inert species, things, entities, cityscapes and seascapes, that play an important part in American literary naturalism. Informed by animal studies, ecocriticism, posthumanism, new materialism, and other recent theoretical perspectives, the essays in this collection discuss early naturalist texts as well as more recent naturalistic-oriented authors.
London, 1984 examines the history of London during the tumultuous 1980s. Against the backdrop of dramatic political and social change driven by Margaret Thatcher and the Conservative government, it explores the radical politics of the capital, tracing the impact of political and social changes on the lives of ordinary Londoners.