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John and Jane Carpenter
Compiled local and family histories from the Mesa Family History Center.
Betye Saar
Considered a premier assemblage artist, Betye Saar has been creating inspired pieces since the early 1960s. Her works are in the collections of notable museums like Corcoran Gallery of Art, Washington, D.C.; Metropolitan Museum of Art and the Whitney Museum of American Art, New York City; Museum of Fine Art, Boston; The Studio Museum in Harlem; and San Francisco Museum of Modern Art. She has taught at the University of California and at the Parsons-Otis Institute, both in Los Angeles, and has participated in numerous solo and group exhibitions. Betye Saar is a comprehensive look at Saar's works, from the 1960 print Samsara to the powerful mixed-media assemblage Blackbird (2002), and a dynamic career.
The Modern Moves West
Exploring the transformation of California into a center for contemporary art through the twentieth century, this book dramatically illustrates the paths California artists took toward a more diverse and inclusive culture.
EyeMinded
Selections of writing by the influential art critic and curator Kellie Jones reveal her role in bringing attention to the work of African American, African, Latin American, and women artists.
New Thoughts on the Black Arts Movement
During the 1960s and 1970s, a cadre of poets, playwrights, visual artists, musicians, and other visionaries came together to create a renaissance in African American literature and art. This charged chapter in the history of African American culture—which came to be known as the Black Arts Movement—has remained largely neglected by subsequent generations of critics. New Thoughts on the Black Arts Movement includes essays that reexamine well-known figures such as Amiri Baraka, Larry Neal, Gwendolyn Brooks, Sonia Sanchez, Betye Saar, Jeff Donaldson, and Haki Madhubuti. In addition, the anthology expands the scope of the movement by offering essays that explore the racial and sexual politics of the era, links with other period cultural movements, the arts in prison, the role of Black colleges and universities, gender politics and the rise of feminism, color fetishism, photography, music, and more. An invigorating look at a movement that has long begged for reexamination, this collection lucidly interprets the complex debates that surround this tumultuous era and demonstrates that the celebration of this movement need not be separated from its critique.
The Majesty of the Grand Canyon
Little was known about America's most famous natural wonder until 1869, when John Wesley Powell traveled the full length of the Grand Canyon by boat. He returned each year; in 1873 he introduced it to artist Thomas Moran, whose brazenly colored, grand scale portrayals of the canyon stunned the public. In 1908, Moran's work prompted President Theodore Roosevelt to declare the Grand Canyon a national monument; by 1919, Congress had established Grand Canyon National Park.As the Santa Fe Railway opened up the Southwest, in 1892 the company began hiring artists to paint scenes of the Grand Canyon, including Moran, W. R. Leigh, and Louis Akin. Today, artists are still capturing the splendor of the Grand Canyon: Ed Mell, Clark Hulings, Wilson Hurley, Frank Mason, P. A. Nisbet, Bruce Aiken, and Earl Carpenter are among the contemporary artists represented in The Majesty of the Grand Canyon.
Annual Report
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Conjure Women
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