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Nineteenth-Century American Women Theatre Managers
Many women held positions of great responsibility and power in the United States during the 19th century as theatre managers: managing stock companies, owning or leasing theatres, hiring actors and other personnel, selecting plays for production, directing rehearsals, supervising all production details, and promoting their dramatic offerings. Competing in risky business ventures, these women were remarkable for defying societal norms that restricted career opportunities for women. The activities of more than 50 such women are discussed in Nineteenth-Century American Women Theatre Managers, beginning with an account of 15 pioneering women managers who were all managing theatres before 24 December 1853, when Catherine Sinclair, often incorrectly identified as the first woman theatre manager in the United States, opened her theatre in San Francisco.
A Scholar's Guide to Getting Published in English
This guide aims to demystify the practices of scholarly journal publishing in English. The book focuses on practices, institutions and politics rather than language and writing. Drawing on 10 years of research into academic publishing and writing practices, it provides a guide for readers to relate to their own contexts and situations as they consider publishing.
The Black Canary
As the child of two musicians, twelve-year-old James has no interest in music until he discovers a portal to seventeenth-century London in his uncle's basement, and finds himself in a situation where his beautiful voice and the fact that he is biracial might serve him well.
Opera for the People
Opera for the People is an in-depth examination of a forgotten chapter in American social and cultural history: the love affair that middle-class Americans had with continental opera (translated into English) in the 1870s, 1880s, and 1890s. Author Katherine Preston reveals how-contrary to the existing historiography on the American musical culture of this period-English-language opera not only flourished in the United States during this time, but found its success significantly bolstered by the support of women impresarios, prima-donnas, managers, and philanthropists who provided financial backing to opera companies. This rich and compelling study details the lives and professional activitie...
A Stolen Life
In 1758 in Scotland, teenaged Jamesina MacKenzie finds her courage and resolution severely tested when she is abducted by spiriters and, after a harrowing voyage across the Atlantic, sold as a bond slave to a Virginia planter.
The Christmas Knight
Sir Cleges so pleases King Uther that he is given a castle in Wales where he can distribute food to the poor each Christmas.
Hearings
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Robin Hood in the Greenwood
Recounts further adventures of Robin Hood, the English hero who lived as an outlaw with his followers in Sherwood Forest and dedicated his life to fighting tyranny.
Dark Shade
Sixteen-year-old Maggie attempts to save recently orphaned Kip from permanently going back in time to 1758 as an adopted Lenape in the primeval forests of western Pennsylvania.
