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Bow Lake in the Canadian Rockies has inspired artists for almost a century. An early explorer who recognized the beauty of this alpine landscape was Jimmy Simpson, a legendary guide and outfitter who also collected art and painted in watercolours. He welcomed artists such as Carl Rungius, Belmore Browne and Peter and Catharine Whyte to his camp beside Bow Lake, which eventually became the storied Num-Ti-Jah Lodge. A.C. Leighton and his wife, Barbara, along with Walter J. Phillips were among the early artists at Bow Lake. This artistic tradition has been carried on with the current artist-in-residence program at Num-Ti-Jah, attracting many contemporary artists to paint the spectacular landscape. This volume includes an introduction describing the history of exploration and the early artistic activity generated by Jimmy Simpson, followed by brief biographies of 18 contemporary artists whose works are also included in the 47 colour plates, all documented and described, of which only 6 have ever been published before.
When Jane Gooch first camped at Lake O'Hara in 1975, she could not have foreseen how important the Rockies would become in her life. She travelled from her home in Vancouver many times during the summer months to hike in the mountains, and her love of the alpine landscape eventually inspired her to study the artists who have painted in the Rockies. Her great enjoyment of the outdoors and a lifelong interest in art were combined with her academic background in writing and research. Mount Robson: Spiral Road of Art celebrates the centennial of Mount Robson Provincial Park with over a century of remarkable landscape paintings inspired by the Robson region in the Canadian Rockies. This volume in...
The succession to the throne, Lisa Hopkins argues here, was a burning topic not only in the final years of Elizabeth but well into the 1630s, with continuing questions about how James's two kingdoms might be ruled after his death. Because the issue, with its attendant constitutional questions, was so politically sensitive, Hopkins contends that drama, with its riddled identities, oblique relationship to reality, and inherent blurring of the extent to which the situation it dramatizes is indicative or particular, offered a crucial forum for the discussion. Hopkins analyzes some of the ways in which the dramatic works of the time - by Marlowe, Shakespeare, Webster and Ford among others - reflect, negotiate and dream the issue of the succession to the throne.
The Handbook brings together forty articles by leading scholars of history, literature, religion, and classics, in the first full investigation of the significance of Raphael Holinshed's Chronicles of England, Scotland and Ireland (1577, 1587), the greatest of Elizabethan chronicles and a principal source for Shakespeare's history plays.
Shakespeare and Wales offers a 'Welsh correction' to a long-standing deficiency. It explores the place of Wales in Shakespeare's drama and in Shakespeare criticism, covering ground from the absorption of Wales into the Tudor state in 1536 to Shakespeare on the Welsh stage in the twenty-first century. Shakespeare's major Welsh characters, Fluellen and Glendower, feature prominently, but the Welsh dimension of the histories as a whole, The Merry Wives of Windsor, and Cymbeline also come in for examination. The volume also explores the place of Welsh-identified contemporaries of Shakespeare such as Thomas Churchyard and John Dee, and English writers with pronounced Welsh interests such as Spens...
divExplores the political, social, and historical implications of staged language /DIV
Whether a conscious choice or constraint, silence has always been the result of oppression, censorship, trauma, and mental or physical handicap. Its provocative and mysterious nature has always motivated readers and critics towards interpretation. The present volume offers to read and interpret silence – unexpressed emotions, thoughts, hesitations and gestures – on mainly a textual and verbal level. How is the pervasive presence of silence explained in literature and linguistics? The collected scholarly essays in this volume offer a wide range of answers. The majority of the writings are literary critical in nature, focusing on major and less well-known literary texts from the Renaissanc...
An analytical record of all plays, extinct or lost, chronologically arranged and indexed by authors, titles and dramatic companies.
Setting out to explain his longtime fascination with the ghost of Hamlet's father, Stephen Greenblatt provides an account of the rise and fall of purgatory as both a belief and a lucrative institution - as well as a new reading of the power of Hamlet.
In this study of Shakespeare's visual culture Frederick Kiefer looks at the personified characters created by Shakespeare in his plays, his walking, talking abstractions. These include Rumour in 2 Henry IV, Time in The Winter's Tale, Spring and Winter in Love's Labour's Lost, Revenge in Titus Andronicus, and the deities in the late plays. All these personae take physical form on the stage: the actors performing the roles wear distinctive attire and carry appropriate props. The book seeks to reconstruct the appearance of Shakespeare's personified characters; to explain the symbolism of their costumes and props; and to assess the significance of these symbolic characters for the plays in which they appear. To accomplish this reconstruction, Kiefer brings together a wealth of visual and literary evidence including engravings, woodcuts, paintings, drawings, tapestries, emblems, civic pageants, masques, poetry and plays. The book contains over forty illustrations of personified characters in Shakespeare's time.