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The Shan have been fighting since 1958 for the autonomous state in Southeast Asia they were promised. Jane M. Ferguson articulates Shanland as an ongoing project of resistance, resilience, and accommodation within Thailand and Myanmar, showing how the Shan have forged a homeland and identity during great upheaval.
"In a tour-de-force study of sixty years of cinematic entertainment, Silver Screens and Golden Dreams traces the veins of Burmese popular movies across three periods in history: the colonial era, the parliamentary democracy period, and the Ne Win Socialist years. Author Jane M. Ferguson engages cinema as an interrogator of mainstream cultural values, providing political and cultural context to situate the films as artistic endeavors and capitalist products. Exploring how filmmakers eschewed colonial control and later selectively toed the ideological lines of the Burmese Way to Socialism, Silver Screens and Golden Dreams offers a serious yet enjoyable investigation of leisure during difficult...
This book discusses contemporary film in all the main countries of Southeast Asia, and the social practices and ideologies which films either represent or oppose. It shows how film acquires signification through cultural interpretation, and how film also serves as a site of contestations between social and political agents seeking to promote, challenge, or erase certain meanings, messages or ideas from public circulation. A unique feature of the book is that it focuses as much on films as it does on the societies from which these films emerge: it considers the reasons for film-makers taking the positions they take; the positions and counter-positions taken; the response of different communit...
After the end of World War II when many Southeast Asian nations gained national independence, and up until the Asian Financial Crisis, film industries here had distinctive and colourful histories shaped by unique national and domestic conditions. Southeast Asia on Screen: From Independence to Financial Crisis (1945-1998) addresses the similar themes, histories, trends, technologies and sociopolitical events that have moulded the art and industry of film in this region, identifying the unique characteristics that continue to shape cinema, spectatorship and Southeast Asian filmmaking in the present and the future. Bringing together scholars across the region, chapters explore the conditions that have given rise to today's burgeoning Southeast Asian cinemas as well as the gaps that manifest as temporal belatedness and historical disjunctures in the more established regional industries.
Myanmar Media in Transition: Legacies, Challenges and Change is the first volume to overview the country’s contemporary media landscape, providing a critical assessment of the sector during the complex and controversial political transition. Moving beyond the focus on journalism and freedom of the press that characterizes many media-focused volumes, Myanmar Media in Transition also explores developments in fiction, filmmaking, social movement media and social media. Documenting changes from both academic and practitioner perspectives, the twenty-one chapters reinforce the volume’s theoretical arguments by providing on-the-ground, factual and experiential data intended to open useful dialogue between key stakeholders in the media, government and civil society sectors. Providing an overview of media studies in the country, Myanmar Media in Transition addresses current challenges, such as the use of social media in spreading hate speech and the shifting boundaries of free expression, by placing them within Myanmar’s broader historic social, political and economic context.
Historians often assume a one-directional transmission of knowledge and ideas, leading to the establishment of spatial hierarchies defined as centres and peripheries. In recent decades, transnational and global history have contributed to a more inclusive understanding of intellectual and cultural exchanges that profoundly challenged the ways in which we draw our mental maps. Covering the early modern and modern periods, Re-Mapping Centre and Periphery investigates the asymmetrical and multi-directional structure of such encounters within Europe as well as in a global context. Exploring subjects from the shores of the Russian Empire to nation-making in Latin America, the international team o...
With a young population of more than 52 million, an ambitious roadmap for political reform, and on the cusp of rapid economic development, since 2010 the world’s attention has been drawn to Myanmar or Burma. But underlying recent political transitions are other wrenching social changes and shocks, a set of transformations less clearly mapped out. Relations between ethnic and religious groups, in the context of Burma’s political model of a state composed of ethnic groups, are a particularly important “unsolved equation”. The editors use the notion of metamorphosis to look at Myanmar today and tomorrow—a term that accommodates linear change, stubborn persistence and the possibility of dramatic transformation. Divided into four sections, on politics, identity and ethnic relations, social change in fields like education and medicine, and the evolutions of religious institutions, the volume takes a broad view, combining an anthropological approach with views from political scientists and historians. This volume is an essential guide to the political and social challenges ahead for Myanmar.
This book introduces contemporary Buddhists from across Asia and from various walks of life. Eschewing traditional hagiographies, the editors have collected sixty-six profiles of individuals who would be excluded from most Buddhist histories and ethnographies. In addition to monks and nuns, readers will encounter artists, psychologists, social workers, part-time priests, healers, and librarians as well as charlatans, hucksters, profiteers, and rabble-rousers—all whose lives reflect changes in modern Buddhism even as they themselves shape the course of these changes. The editors and contributors are fundamentally concerned with how individual Buddhists make meaning and display this understa...