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Inside a Class Action
On October 21, 1996, attorney Michael Hausfeld, with a team of lawyers, filed a class-action complaint against Union Bank of Switzerland, Swiss Bank Corporation, and Credit Suisse on behalf of Holocaust victims. The suit accused the banks of, among other things, acting as the chief financiers for Nazi Germany. On August 12, 1998, the plaintiffs and banks reached a $1.25 billion settlement. Through detailed research, court transcripts, and interviews with politicians, attorneys, historians, and survivors, Jane Schapiro shows how egos, personalities, and values clashed in this complex and emotionally charged case. Inside a Class Action provides an insider's view of a major lawsuit from its inception to its conclusion and will appeal to anyone interested in human rights, reparations, and international law.
The Anatomy of Torture
This is the story of one of the most significant examples of human rights litigation in the U.S., presented as a documentary history. The pleadings and documents appear with minimal editing and are supplemented through commentary.
Summary of Warren Zanes's Deliver Me from Nowhere
Get the Summary of Warren Zanes's Deliver Me from Nowhere in 20 minutes. Please note: This is a summary & not the original book. "Deliver Me from Nowhere" delves into the creation and impact of Bruce Springsteen's album "Nebraska," a work born from personal strife and technological transition. The album, described by Springsteen as an "accident," captured a rawness that contrasted with the digital perfection of the era. Insights from Springsteen's manager Jon Landau and producer Chuck Plotkin, along with Springsteen's own reflections, reveal the unconventional creation of "Nebraska," which marked a departure from music industry norms...
Gray Zones
Few essays about the Holocaust are better known or more important than Primo Levi's reflections on what he called "the gray zone," a reality in which moral ambiguity and compromise were pronounced. In this volume accomplished Holocaust scholars, among them Raul Hilberg, Gerhard L. Weinberg, Christopher Browning, Peter Hayes, and Lynn Rapaport, explore the terrain that Levi identified. Together they bring a necessary interdisciplinary focus to bear on timely and often controversial topics in cutting-edge Holocaust studies that range from historical analysis to popular culture. While each essay utilizes a particular methodology and argues for its own thesis, the volume as a whole advances the claim that the more we learn about the Holocaust, the more complex that event turns out to be. Only if ambiguities and compromises in the Holocaust and its aftermath are identified, explored, and at times allowed to remain--lest resolution deceive us--will our awareness of the Holocaust and its implications be as full as possible.
Beyond Lament
Challenging Theodor Adorno's famous statement that "writing poetry after Auschwitz is barbaric," Beyond Lament is a rich and varied anthology consisting of new and previously published poems about the atrocity of the Holocaust. Marguerite M. Striar has arranged the nearly 300 poems by the likes of Paul Celan, Nelly Sachs, Czeslaw Milosz, Dannie Abse, and Robert Pinsky, as well as many others, to tell the story of the Holocaust.
The Genocide Convention
Genocide is widely acknowledged as ‘the crime of crimes’. Such universal condemnation understandably triggers both loose talk (calling each and every massacre ‘genocide’) and utter reluctance in political circles to use the ‘G-word’. The social construction of genocide reflects the deeper question whether the rigid legal concept of genocide – as it emerges in the Genocide Convention and has been maintained ever since – still corresponds with the historical and social perception of the phenomenon. This book is the product of an intellectual encounter between scholars of historical and legal disciplines which have joined forces to address this question. The authors are strongly inspired by the idea that the multi-disciplinary research of and education on genocide may contribute to a more appropriate reaction and prevention of genocide.
Tears of Sorrow, Seed of Hope (2nd Edition)
A spiritual companion for those grieving infertility, pregnancy loss, or stillbirth, bringing solace from Jewish tradition. "This book begins where the others leave off. While the doctors do what they must do, when it is time for us to wait, or hope, or cry, or sleep, or pray, it is time for this book. The passages found within are drawn from the rich pool of spiritual responses that Judaism possesses. They reach out to us and embolden us to join our voices to the ancient prayers designed to get us through the night."—from the Introduction Enables those frustrated and pained in their attempts at parenthood to mourn the loss of a pregnancy or infertility through the prayers, rituals, and meditations of the Jewish tradition. This new edition—updated and expanded—includes guided questions and pages on which to add personal reflections of your own emotions and experiences along the path toward parenting.
Which Lilith?
Eve was not Adam's first wife. That honor belongs to Lilith, who was created as Adam's equal. When he tried to dominate her, she uttered God's secret name and flew away. Lilith is mentioned in the Talmud, elaborated on in the midrash and in the kabbalah, whispered about in stories, and passed down from mother to daughter. In this anthology, a vivid, provocative, and enlightening sampling of Jewish women's written responses to the Lilith myth are offered. The editors have provided the space for contemporary women to link themselves to a tradition and participate in a sacred activity, thereby infusing energy into Lilith and creating a new tradition.
Deliver Me from Nowhere
The fascinating story behind the making of Bruce Springsteen’s most surprising album, Nebraska, revealing its pivotal role in Springsteen’s career “Brilliant . . . For fans of American music, Deliver Me from Nowhere makes a great ghost story.”—The Boston Globe AN NPR BEST BOOK OF THE YEAR Without Nebraska, Bruce Springsteen might not be who he is today. The natural follow-up to Springsteen’s hugely successful album The River should have been the hit-packed Born in the U.S.A. But instead, in 1982, he came out with an album consisting of a series of dark songs he had recorded by himself, for himself. But more than forty years later, Nebraska is arguably Springsteen’s most importa...
The Southern Review
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